Festivals Research Group
Investigating the social, economic and environmental impact of festivals.
Investigating the social, economic and environmental impact of festivals.
The Festival Research Group (FRG) was set up in 2016 to bring together academics at Cardiff University with key stakeholders to undertake collaborative research on the festival scene, and to consider urgent questions on the future of festivals.
UK festivals play a significant role in British culture and economy. Festival audiences continue to grow and the festival landscape, both urban and rural, is dynamic and diverse. Prior to the coronavirus (COVID-19) pandemic, the UK music festivals and concerts market were worth an estimated £2.6bn with over a quarter of UK adults attending at least one music festival (Mintel 2019). For example, in 2018, 338,000 domestic and 25,000 overseas tourists attended music concerts and festivals in Wales and spent an estimated £124 million (UK Music 2019). In addition to their economic importance, festivals contribute socially and culturally, creating a sense of belonging and place, developing individuals’ identity and wellbeing through memorable experiences. Festivals can also have potential negative environmental impacts.
As a result of the global coronavirus (COVID-19) pandemic, music and arts festivals have been cancelled on an unprecedented level. During 2020, more than 250 events were cancelled or postponed (eFestivals 2020) with many further cancellations in 2021. Festival organisers and audiences have become uncertain about future festival experiences, especially if pandemic response measures continue to affect large scale gatherings.
The value of festivals extends beyond their economic impact. To their thousands of attendees and creators they are an essential part of British culture and form part of our intangible heritage. Research indicates that festivals have an important role for social cohesion and wellbeing, building a strong sense of identity and belonging amongst their loyal, multi-generational communities, and they can be activated as ‘agents of change’, for example in promoting greener and sustainable practices (Alonso-Vazque 2016, Powerful Thinking 2018).
Given economic, social and technological changes, the absence of large-scale gatherings, what will future festivals look like? How will they be organised, enjoyed, perceived and developed? And how will they impact on society and the environment?
The key focus of the FRG is music and arts festivals; members of the research group have substantial experience working with and at festivals such as Glastonbury, Green Man, Hay Festival and National Eisteddfod as well as food-themed events. The FRG is keen to connect academic research with the experiences of festival goers, organisers, performers and other stakeholders. Festivals also present researchers with different platforms for engagement and the sharing of research through participatory methods.
Cardiff University’s interdisciplinary FRG is comprised of staff from Cardiff Business School, School of Music, School of Geography of Planning, School of History, Archaeology and Religious Studies, and School of Journalism, Media and Culture. We are also affiliated with the Creative Cardiff Research Network. The group members have undertaken several festival studies including Sŵn Festival, the National Eisteddfod and Goodway Festival of Speed. This collaborative research has enhanced our understanding of festival audiences, their experiences and behaviours, and how festivals and festivalgoers can reduce their environmental footprint.
Our interdisciplinary research team has expertise in services marketing, consumer behaviour, social media and music fandom, heritage and contemporary archaeology, human geography and sustainability. Since 2012, we have undertaken research on a range of UK festivals, including music, literature, culture and food. We have a track record in collaborating with festival organisers (including Hay Literature Festival, Glastonbury, Green Man, Swn Festival, National Eisteddfod and Goodway Festival of Speed) and an extensive network of key contacts in festivals, NGOs, national and local government (e.g. AIF, AGF, Event Wales). We have extensive experience in undertaking audience-focused impactful analysis examining festival experiences, histories and their environmental consequences. We have research skills in interviewing, large-scale surveys (online and face to face), digital diaries, social media analysis, community consultation and mapping in partnership with festivals and stakeholders.
The FRG’s pilot project saw Cardiff researchers working with John Rostron and the Sŵn Festival. John was the co-founder of Sŵn, and this annual urban contemporary music festival occurs each October in venues across Cardiff. In 2016 it celebrated 10 years of making the city come alive. John was also the Vice Chair of the Association of Independent Music Festivals, which currently holds its annual congress in Cardiff. The FRG received seed-corn funding from REACT (the AHRC-funded Research and Enterprise in Arts and Creative Technology initiative) to explore the impact of Sŵn festival on the audiences, the city and the music scene.
Those in the research group are currently taking part in joint projects and outputs. Please see below for a selection of previous work by some of the researchers.
- Dr Jacqui Mulville has also published an open access piece for The Conversation on 'What will future archaeologists think of Glastonbury?'.
- Dr Nicole Koenig-Lewis – Blog on Future of Festivals: https://www.creativecardiff.org.uk/festivals/festival-show-must-go-online
- Cardiff Business School Blog, Wonderful and unique: Our CUROP experience at the National Eisteddfod of Wales, http://blogs.cardiff.ac.uk/business-school/2019/04/25/wonderful-and-unique-our-curop-experience-at-the-national-eisteddfod-of-wales/
- Festival Research Group – A spotlight on Swn Music Festival http://blogs.cardiff.ac.uk/creative-economy/2017/04/03/a-spotlight-on-swn-music-festival-report-launch/
- Dr Andrea Collins, Save the planet one festival at a time, The Conversation, https://theconversation.com/save-the-planet-one-festival-at-a-time-60802
Selected academic publications and conference presentations (by year):
- Brayshay, B. and Mulville, J. Festivals (in press) Monument making, mythologies and memory. Festivals – Monument making, mythologies and memory. In ‘Inside Festival Cultures’ Eds, M. Nita and J. Kidwell. Palgrave MacMillan, London.
- Koenig-Lewis, N., Palmer, A. & Asaad, Y. (2021), “Linking engagement at cultural festivals to legacy impacts”, Journal of Sustainable Tourism, Special Issue on Events and Sustainability. Available online 8 Feb 2021. DOI: https://doi.org/10.1080/09669582.2020.1855434
- Brayshay, B. and Mulville, J., 2020, Festival CHAT,, https://festivalchat2020.wordpress.com/2020/10/17/festivals-monument-making-mythologies-and-memory/, Contemporary and Historical Archaeology in Theory Conference, online, 3-30 October 2020.
- Collins, A. and Potoglou, D. 2019. Factors influencing visitor travel to festivals: Challenges in encouraging sustainable travel. Journal of Sustainable Tourism 27(5), pp. 668-688. (10.1080/09669582.2019.1604718)
- Mulville, J. and Brayshay, B. 2019 ‘Festivals – Where Worlds Collide’ at ‘Inside Festival Cultures: Fields, Bodies, Ecologies’, University of Birmingham. 16-17 May.,
- Collins, A. and Cooper, C. 2017. Measuring and managing the environmental impact of festivals: The contribution of the Ecological Footprint. Journal of Sustainable Tourism 25 (1), pp.148-162. (10.1080/09669582.2016.1189922
- Hill, S., Mulville, J.; Koenig-Lewis, N., Thomas, I., Murray, S., O’Connell, J. (2017), ‘One Weekend in October: The Sŵn Festival, Cardiff, Paper presented at CHIME Conference “Music, Festivals, Heritage” 25-28 May 2017, hosted by Siena Jazz Archive, Siena, Italy, 25-28 May 2017.
- Koenig-Lewis, N. and Palmer, A. 2017. Identifying customer behaviour segments based on a hierarchy of engagement - an exploratory study of a music festival. Presented at: 25th ICRM (International Colloquium in Relationship Marketing), Munich, Germany, 12-14 Sep 2017.
- Koenig-Lewis, N., Organ, K. and Palmer, A. 2015. The 'ladder of engagement' to building lasting customer relationships. Presented at: 15th ICRM (International Colloquium in Relationship Marketing), Hanken Business School, Finland, 15th to 17th Sep 2015.
- Organ, K., Koenig-Lewis, N. and Palmer, A. 2015. The 'ladder of engagement' - an empirical study of its link to loyalty. Presented at: Academy of Marketing Conference 2015, Limerick, Ireland, 7-9 July 2015.
- Organ, K. et al., 2015. Festivals as agents for behaviour change: A study of food festival engagement and subsequent food choices. Tourism Management 48, pp.84-99. (10.1016/j.tourman.2014.10.021)
- Collins, A. J. 2014. The pursuit of a sustainable rural event: a case study of the Hay Literary Festival (UK). In: Dashper, K. ed. Rural Tourism: An International Perspective. Cambridge Scholars Publishing., pp.151-170.
- Jamison-Powell, S., Bennett, L., Mahoney, J. and Lawson, S. 2014. Understanding in-situ social media use at music festivals. Proceedings of the Companion Publication of the 17th ACM Conference on Computer Supported Cooperative Work & Social Computing. New York, NY: ACM pp. 177-180.
- Hill, S. 2012. Mapio Canu Pop Cymraeg / Mapping Welsh Pop. Presented at: 11th Conference of the Centre for Advanced Welsh Musical Studies Aberystwyth, UK February 2012.
- Hill, S. 2007. 'Blerwytirhwng?' the place of Welsh pop music. Ashgate Popular and Folk Music Series Aldershot: Ashgate.
- Hill, S. 2006. When deep soul met the love crowd: Otis Redding at the Monterey pop festival, June 16-18, 1967. In: Performance and Popular Music History, Place and Time. Ashgate., pp.28 – 40
Recent projects and events organised by members of the FRG
Shutdown Survey 2020: Festivals provide Emotional, Sensorial and Communal Experiences
With the cancellation of festivals last summer, we wanted to know what people were going to miss about music festivals. We conducted a survey with over 800 individuals responded. Our data recognised that people attend events for myriad reasons, from the feelings of community, the sensory experience of music, art, food and culture, but also to feel emotions – basically festivals make us feel good. We analysed the data and have summarised our findings in this image. We grouped responses into three sectors, emotional responses, sensory stimulation and communitas (intense feelings of social togetherness and belonging) and discovered that these elements balance and are of equal importance as summarised in the image below:
Goodway Festival of Speed 2019
In this project, the FRG partnered with Siemens (2019 Technology Partner) and put a spotlight on the environmental impact of festivals in the UK. The report highlights what innovations and initiatives are needed to ensure greener, cleaner festivals of the future.
National Eisteddfod 2017 and 2018
In this project we examined festival goers’ engagement with activities and events during the National Eisteddfod 2017 and 2018, their experience, the wider impact of the festival including visitor travel. In 2018 we received funding from CUROP (Cardiff Undergraduate Research Opportunities Programme) under the project: “Influencing the Impact and Legacies of Festivals in Wales: A spotlight on 2018 National Eisteddfod Cardiff”, Cardiff University (Centre for Education and Innovation).
- Koenig-Lewis, N., Collins, A., Rosier, E. (2017). National Eisteddfod 2017 – Research Findings, Cardiff University, October 2017 (Report presented to National Eisteddfod, 4th October 2017)
- Koenig-Lewis, N., Collins, A., Rosier, E., Emyr, M., Murphy, S. (2018). National Eisteddfod 2018 – Research Findings, Cardiff University, October 2018 (Report presented to National Eisteddfod, 17th October 2018)
Sŵn Festival 2016
During this pilot project, we also worked with StoryworksUK to record interviews with some of the people visiting the Sŵn Music Museum.
The FRG has undertaken research into the methods by which visitors travel to Hay Festival. This project also considered what types of strategies are needed to reduce visitors’ travel-footprint? and what are the key challenges in terms of influencing visitor travel behaviour, and delivering more sustainable events in Wales?
Research group leader
Reader in Transport and Applied Choice Analysis
Investigating the social, economic and environmental impact of festivals. The group brings together academics at Cardiff University and key stakeholders to undertake collaborative research on the festival scene, and to consider urgent questions on the future of festivals.
In 2020 the group focused on mapping festivals in Wales with a particular emphasis on environmental sustainability.