Dr Becky Munford - BA (Oxford), MA, PhD (Exeter)
Overview
Position:
Senior Lecturer
Email:
MunfordR@cf.ac.uk Telephone: +44(0)29 208 76398
Extension: 76398
Location: John Percival Building, Colum Drive, Cathays, Cardiff
Research Group
Research Interests
Twentieth-century and contemporary women’s writing; European Gothic; feminist history and theory; gender, fashion and the history of dress (especially women and trousers).
I welcome applications from potential postgraduate students planning research in any of these areas. Informal enquiries are always welcome.
Selected Publications
Decadent Daughters and Monstrous Mothers: Angela Carter and European Gothic. (Manchester: Manchester University Press, 2013)
(With Melanie Waters) Feminism and Popular Culture: Investigating the Postfeminist Mystique (London: I.B. Tauris, 2013)
“‘The Future of Pemberley’: Emma Tennant, the Classic Progression and Literary Trespassing.” Uses of Austen: Jane’s Afterlives. Ed. Gillian Dow and Clare Hanson. Basingstoke: Palgrave, 2012. 59-76.
“‘The Desecration of the Temple’; or, ‘Sexuality as Terrorism’? Angela Carter’s (Post-)feminist Gothic Heroine.” Gothic Studies 9.2 (2007): 58-70.
(Ed. with Stacy Gillis and Gillian Howie) Third Wave Feminism: A Critical Exploration. Revised and expanded second edition. Basingstoke: Palgrave, 2007. (first edition published 2004)
Publications
Authored Books
Decadent Daughters and Monstrous Mothers: Angela Carter and European Gothic. Manchester: Manchester University Press, 2013.
(With Melanie Waters) Feminism and Popular Culture: Investigating the Postfeminist Mystique. Foreword by Imelda Whelehan. London: I.B. Tauris, 2013. (in press)
Edited Books
(With Stacy Gillis and Gillian Howie) Third Wave Feminism: A Critical Exploration. Revised & expanded second edition. Basingstoke: Palgrave, 2007. This is a substantially revised and expanded version of the first edition; it includes a new introduction, several new chapters, a foreword by Imelda Whelehan and an interview with Luce Irigaray.
Re-visiting Angela Carter: Texts, Contexts, Intertexts. Basingstoke: Palgrave, 2006.
(With Stacy Gillis and Gillian Howie) Third Wave Feminism: A Critical Exploration. Basingstoke: Palgrave, 2004.
Special Issues of Journals
(With Paul Young) Neo-Victorianism: The Politics and Aesthetics of Appropriation. Double special issue of Literature Interpretation Theory 20.1 & 20.2 (2009).
(With Helen Taylor) Daphne du Maurier. Special issue of Women: A Cultural Review on Daphne du Maurier 20.1 (2009).
(With Stacy Gillis) Third Wave Feminism and Women’s Studies. Special issue of Journal of International Women’s Studies 4.2 (2003).
Refereed journal articles and book chapters
“Using the F-word: Girl Power, the Third Wave, and Post-Feminism.” The History of British Women’s Writing, 1970-Present, Volume 10. Ed. Emma Parker and Mary Eagleton. Basingstoke: Palgrave, forthcoming 2014.
“‘The Future of Pemberley’: Emma Tennant, the Classic Progression and Literary Trespassing.” Uses of Austen: Jane’s Afterlives. Ed. Gillian Dow and Clare Hanson. Basingstoke: Palgrave, 2012. 59-76.
(With Paul Young) “Engaging the Victorians.” Literature Interpretation Theory 20.1/2 (2009): 1-11.
“BUST-ing the Third Wave: Barbies, Blowjobs and Girlie Feminism.” Mainstreaming Sex: The Sexualization of Culture. Ed. Feona Attwood. London: I.B. Tauris, 2009. 183-97.
“Dracula’s Daughters: Angela Carter and Pierrette Fleutiaux’s Vampiric Exchanges.” Le Gothic: Influences and Appropriations in Europe and America. Ed. Avril Horner and Sue Zlosnik. Basingstoke: Palgrave, 2008. 116-33.
“‘The Desecration of the Temple’; or, ‘Sexuality as Terrorism’? Angela Carter’s (Post-)feminist Gothic Heroine.” Gothic Studies 9.2 (2007): 58-70.
“Spectres of Authorship: Daphne du Maurier’s Gothic Legacy.” The Daphne du Maurier Companion. Ed. Helen Taylor. London: Virago, 2007. 68-74.
(With Stacy Gillis and Gillian Howie) “Introduction.” Third Wave Feminism: A Critical Exploration. Ed. Stacy Gillis et al. Revised and expanded second edition. Basingstoke: Palgrave, 2007. xxi-xxxiv [this is a substantially revised and extended version of the Introduction that appeared in the first edition in 2004: pp. 1-6]
“‘Wake Up and Smell the Lipgloss’: Gender, Generation and the (A)politics of Girl Power.” Third Wave Feminism: A Critical Exploration. Ed. Stacy Gillis et al. Revised and expanded second edition. Basingstoke: Palgrave, 2007. 266-79. [first edition: pp. 142-53]
(With Stacy Gillis) “Interview with Elaine Showalter.” Third Wave Feminism: A Critical Exploration. Ed. Stacy Gillis et al. Revised and expanded second edition. Basingstoke: Palgrave, 2007. 292-97. [first edition: pp. 60-64]
“Angela Carter and the Politics of Intertextuality.” Re-visiting Angela Carter: Texts, Contexts, Intertexts. Ed. Rebecca Munford. Basingstoke: Palgrave, 2006. 1-20.
“Blood, Laughter and the Medusa: The Gothic Heroine as Menstrual Monster.” Menstruation: A Cultural History. Ed. Andrew Shail and Gillian Howie. Basingstoke: Palgrave, 2005. 259-72.
“Re-presenting Charles Baudelaire/Re-presencing Jeanne Duval: Transformations of the Muse in Angela Carter’s ‘Black Venus’.” Forum for Modern Language Studies 40.1 (2004): 1-13.
(With Stacy Gillis) “Genealogies and Generations: The Politics and Praxis of Third Wave Feminism.” Women’s History Review 13.2 (2004): 165-82. [reprinted in The Women’s Movement Today: Primary Documents of Third Wave Feminism. Ed. Leslie L. Heywood. Westport: Greenwood, 2005. 111-20.]
(With Stacy Gillis) “Harvesting Our Strengths: Third Wave Feminism and Women’s Studies.” Third Wave Feminism and Women’s Studies. Spec. Issue of Journal of International Women’s Studies 4.2 (April 2003): 1-11
“Re-vamping the Gothic: Representations of the Gothic Heroine in Angela Carter’s Nights at the Circus.” ParaDoxa: Studies in World Literary Genres 17 (2002): 235-56.
Encyclopedia Entries
“Family.” The Encyclopedia of the Gothic. Ed. William Hughes, David Punter and Andrew Smith. Oxford: Wiley-Blackwell, 2012. (1000 words)
(With Katie Garner) “Feminism”. The Encyclopedia of Literary and Cultural Theory Volume 2 (1966 to the Present). Ed. Robert Eaglestone. Oxford: Wiley-Blackwell, 2010. 595-605.
“Luce Irigaray” and “Elaine Showalter”. The Encyclopedia of Literary and Cultural Theory. Ed. Robert Eaglestone. Oxford: Wiley-Blackwell, 2010. 645-48, 843-45.
“Colonization” and “Horror.” Women in Science Fiction and Fantasy: An Encyclopedia. Ed. Robin Reid. Westport: Greenwood, 2009. 71-72, 162-64.
“Bloomsbury Group,” “Anna Kavan,” “Vernon Lee,” “Emmeline Pankhurst” and “Violet Keppel Trefusis.” Encyclopedia of British Women’s Writing 1900-1950. Ed. Faye Hammill, et al. Basingstoke: Palgrave, 2006. 15-16, 132-33, 141-42, 180-81, 253-55.
“Gertrude Stein.” France and the Americas: Culture, Politics and History. Ed. Bill Marshall. 3 vols. Santa Barbara: ABC-Clio, 2005. 1093-1095.
“Postmodern Theory” and “Television.” The Women's Movement Today: An Encyclopedia of Third Wave Feminism. Ed. Leslie L. Heywood. Westport: Greenwood, 2005. 256-58, 314-20.
Book reviews
Rev. of Ilana Nash, American Sweethearts: Teenage Girls in Twentieth-Century Popular Culture (Bloomington: Indiana University Press, 2006). Feminist Review 89 (2008): 151-53
Rev. of Ann Heilmann and Mark Llewellyn, eds, Metafiction and Metahistory in Contemporary Women’s Writing (Basingstoke: Palgrave, 2006). Contemporary Women’s Writing 1.1-2 (2007): 206-207.
Rev. of Catherine Orenstein, Little Red Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale (New York: Basic Books, 2002). Cercles: Revue Pluridisciplinaire du Monde Anglophone (Nov 2003).
Rev. of Kathleen Ragan. Fearless Girls, Wise Women and Beloved Sisters: Heroines in Folktales from Around the World (New York & London: Norton, 2000). Forum for Modern Language Studies 38.3 (2002): 346.
Shorter pieces
“It’s buy, buy to women. Now the girlies rule.” Times Higher Education Supplement 9 March 2007: 16-17. [Article on postfeminism and consumerism].
Research
My current research project is a cultural history of women in trousers in the British Isles,
France and America since the French Revolution. Drawing on a wide range of examples (including newspapers, letters, literary texts, art and photography, fashion design and editorial, legislation, medical and psychoanalytic discourses, film and television), this project explores the history of trouser-wearing women as a complex, and at times contradictory, history of regulation, revolution and rebellion.
To date, Angela Carter’s work has provided a particular focus for my broader interest in theories of gender, sexuality and the politics of re-writing and intertextuality. Following a collection of essays, Re-visiting Angela Carter: Texts, Contexts, Intertexts (Palgrave, 2006), my first monograph, Decadent Daughters and Monstrous Mothers: Angela Carter and European Gothic (Manchester University Press, 2013), examines the feminist politics of Carter’s textual engagements with a male-authored European Gothic tradition from Sade to Surrealism.
My work in the field of contemporary feminisms is primarily concerned with the interactions between feminism and popular culture. Feminism and Popular Culture: Investigating the Postfeminist Mystique (I.B. Tauris, 2013), co-authored with Melanie Waters, takes as its focus a range of texts that have emerged in the wake of media speculations about the ‘death of feminism’ and traces the movements of ‘ghost feminism’ (rather than ‘postfeminism’) in contemporary popular culture.
I am a member of the Executive Committee of the Contemporary Women’s Writing Association and Reviews Editor of Contemporary Women’s Writing (Oxford University Press).
Biography
I joined Cardiff in 2007 having worked at the University of Manchester and the University of Exeter. From 2003-2006 I was a member of the executive committee of the Feminist and Women’s Studies Association (UK and Ireland).

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