Dr Peter Leech
B.A. B.Mus. Ph.D
Mae'r cynnwys hwn ar gael yn Saesneg yn unig.
I am a professional choral and orchestral conductor, musicologist, composer, singer and keyboard player. I am a specialist in English court music (1600-1750), music in the British Jesuit and broader European Catholic diaspora (1600-1800) and European sacred music (1550-1800). I have published substantial articles and reviews in Early Music (OUP), Music & Letters (OUP), The Consort (Dolmetsch Foundation), Eighteenth-century music (CUP), Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis (KVNM), Archivum Historicum Societatis Iesu (IHSI, Rome), Journal of Jesuit Studies (Brill) and the Newsletter of the Society For Eighteenth-Century Music (USA).
As a conductor I have recorded for the Nimbus Alliance, Tall Poppies and Toccata Classics labels. I am conductor of the Cardiff University Chamber Choir, as well as Cappella Fede, Harmonia Sacra and Costanzi Consort. With Cappella Fede I released a ground-breaking new CD in 2016, The Cardinal King (featuring first recordings of rediscovered eighteenth-century Roman sacred music by Sebastiano Bolis, Giovanni Battista Costanzi and others), to widespread critical acclaim. BBC Radio 3 Record Review (January 2017) described it as 'a moving disc' with 'consort singing second to none' (Elin Manahan-Thomas and Andrew McGregor). My future projects will include a detailed study of eighteenth-century sacred music at San Lorenzo in Damaso (Rome), further research on British seventeenth and early eighteenth-century Jesuit musicians and a cultural biography of Cardinal Henry Benedict Stuart (1725-1807).
- Honorary Research Fellow, School of Arts & Humanities, Swansea University (2008-14)
- Tutor at City Literary Institute, London (2000-02)
- Lecturer in Musicology at Colchester Institute (1996-99)
- Benedictus UK (2015)
- Renaissance Society of America (New York, 2014)
- Utrecht Early Music Festival (2013)
- York Early Music Festival (2008)
My main research deals with vocal and instrumental music of the seventeenth and eighteenth centuries, with specific areas including music and musicians in the British Royal Catholic chapels 1660-1714, music and musicians in the British Jesuit diaspora 1580-1773, late 17th century instrumental and vocal music in England, 18th century choral and instrumental music in Rome and early Russian Orthodox choral music.