Professor David Wyn Jones

2020

• Jones, D. W. 2020. Shared identities and thwarted narratives: Beethoven and the Austrian Allgemeine musikalische Zeitung, 1817-1824. In: Chapin, K. and Jones, D. W. eds. Beethoven Studies 4. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 166-188., (10.1017/9781108552813.009)

2019

• Jones, D. 2019. Institutions. In: Clark, C. and Day-O'Connell, S. eds. The Cambridge Haydn Encyclopedia. Cambridge: Cambridge University Press, pp. 167-177.
• Jones, D. 2019. Vienna. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press, pp. 88-96.
• Jones, D. 2019. Religious views. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press, pp. 27-33.

2017

• Jones, D. W. 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. In: Händel-Jahrbuch., Vol. 63. Basel: Bärenreiter Kassel, pp. 73-86.

2016

• Jones, D. W. 2016. Music in Vienna: 1700, 1800, 1900. Woodbridge: The Boydell Press.

2015

• Jones, D. W. 2015. Mozart's spirit from Seyfried's hands. In: Keefe, S. P. ed. Mozart Studies 2. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 195-228., (10.1017/CBO9781107360051.009)
• Jones, D. W. ed. 2015. Haydn. The Late Eighteenth-Century Composers. Surrey: Ashgate.
• Jones, D. W. 2015. Introduction. In: Jones, D. W. ed. Haydn. The Late Eighteenth-Century Composers Surrey: Ashgate, pp. xi-xxv.

2013

• Jones, D. W. 2013. Haydn, Austria and Britain: Music, culture and politics in the 1790s. In: Chesser, R. and Jones, D. W. eds. The Land of Opportunity: Joseph Haydn and Britain. London: British Library, pp. 1-21.

2011

• Jones, D. W. 2011. Haydn's forgotten quartets: Three of the 'Paris' symphonies arranged for string quartet. Eighteenth-Century Music 8(2), pp. 287-305. (10.1017/S147857061100008X)

2010

• Jones, D. W. 2010. Becoming a complete Kapellmeister: Haydn and Mattheson's 'Der vollkommene Capellmeister'. Studia Musicologica 51(1-2), pp. 29-40. (10.1556/SMus.51.2010.1-2.3)

2009

• Jones, D. W. ed. 2009. Oxford composer companions: Haydn. Oxford Companions. Oxford: Oxford University Press.
• Jones, D. W. 2009. The life of Haydn. Musical Lives. Cambridge: Cambridge University Press.

2006

• Jones, D. W. 2006. The symphony in Beethoven's Vienna. Cambridge: Cambridge University Press.
• Jones, D. W. 2006. The stylus a cappella masses of the Viennese classical school: Palestrina honoured and transformed. In: Rostirolla, G., Soldati, S. and Zomparelli, E. eds. Palestrina e l'Europa: Atti del III Convegno Internazionale di Studi (Palestrina, 6-9 ottobre 1994). Palestrina: Fondazione Giovanni Pierluigi da Palestrina, pp. 1061-1074.
• Jones, D. W. 2006. Some aspects of Clementi’s career as a publisher. In: Antolini, B. M. and Mastroprimiano, C. eds. Muzio Clementi: Compositore, (Forte) Pianista, editore: Atti del Convegno internazionale di studi (Perugia, Conservatorio di Musica, 4-6 ottobre 2002). Strumenti della ricerca musicale Vol. 9. Lucca: Lim Editrice, pp. 3-19.
• Jones, D. W. 2006. Haydn, Hoffmeister, Beethoven and Mozart: Salomon's 1801 concert series. In: Fuchs, I. ed. Festschrift Otto Biba zum 60. Geburtstag. Tutzing: Hans Schneider, pp. 39-56.

2005

• Jones, D. W. 2005. 'What do surviving copies of early printed music tell us?'. In: Rudolf, R. ed. Music Publishing in Europe 1600-1900. Concepts and Issues. Bibliography. Berliner Wissenschafts-Verlag, pp. 140-58.
• Jones, D. W. 2005. First among equals: Haydn and his fellow composers. In: Clark, C. ed. The Cambridge Companion to Haydn. Cambridge Collections Online Cambridge: Cambridge University Press, pp. 45-57., (10.1017/CCOL9780521833479.005)

2003

• Jones, D. W. 2003. The origins of the quartet. In: Stowell, R. ed. The Cambridge Companion to the String Quartet. Cambridge Companions to Music Cambridge: Cambridge University Press, pp. 177-184., (10.1017/CCOL9780521801942.009)
• Jones, D. W. 2003. Beethoven and the Viennese Legacy. In: Stowell, R. ed. The Cambridge Companion to the String Quartet. Cambridge Companions to Music Cambridge: Cambridge University Press, pp. 210-237., (10.1017/CCOL9780521801942.011)

2002

• Jones, D. W. 2002. A newly identified sketchleaf for Haydn's quartet in D minor, "Opus 103". Haydn-Studien 8(4), pp. 413 - 17.

2001

• Jones, D. W. 2001. "ma in Ispagna.." Manuscript sources for Mozart's Music in the Royal Palace, Madrid. Mitteilungen der Internationalen Stiftung Mozarteum 49(1/2), pp. 40-50.

2000

• Jones, D. W. ed. 2000. Music in Eighteenth-Century Britain. Aldershot: Ashgate.

1998

• Jones, D. W. 1998. The life of Beethoven. Musical Lives. Cambridge: Cambridge University Press.
• Jones, D. W. 1998. Austrian symphonies in the Royal Palace, Madrid. In: Boyd, M. and Carreras, J. eds. Music in Spain during the Eighteenth Century. Cambridge: Cambridge University Press, pp. 125-143., (10.2277/ 0521481392)

1996

• Jones, D. W. ed. 1996. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press.
• Jones, D. W. 1996. Introduction: new challenges, new perspectives. In: Jones, D. W. ed. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press, pp. 1-10., (10.2277/ 0521453496)
• Jones, D. W. 1996. Haydn’s Missa sunt bona mixta malis and the a cappella tradition. In: Jones, D. W. ed. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press, pp. 89-111., (10.2277/ 0521453496)
• Biba, O. and Jones, D. W. eds. 1996. Studies in music history: Presented to H.C. Robbins Landon on his seventieth birthday. London: Thames & Hudson.
• Jones, D. W. 1996. From Artaria to Longman & Broderip: Mozart's music on sale in London. In: Biba, O. and Jones, D. W. eds. Studies in Music History: Presented to H. C. Robbins Landon on his Seventieth Birthday. London: Thames & Hudson, pp. 105-114.

1995

• Jones, D. W. 1995. Beethoven: The Pastoral Symphony. Cambridge Music Handbooks. Cambridge: Cambridge University Press.

1992

• Jones, D. W. 1992. A Spanish Source for Haydn’s “Non nobis Domine”. In: Landon, H. C. R. ed. Haydn Yearbook., Vol. 17. London: Thames & Hudson, pp. 167-169.

1990

• Jones, D. W. 1990. Why did Mozart compose his last three Symphonies? Some new Hypotheses. Music Review 51, pp. 280-289.

1988

• Landon, H. R. and Jones, D. W. 1988. Haydn: his life and work. London: Thames & Hudson.

1984

• Jones, D. W. 1984. Haydn's Music in London in the Period 1760-1790. In: Landon, H. R. ed. Haydn Yearbook., Vol. 14. Cardiff: University College Cardiff Press, pp. 144-172.

1978

• Jones, D. W. 1978. Robert Bremner and the periodical overture. Soundings(7), pp. 63-84.