2019 publications
- Beard, D. 2019. 'Out of the air': Judith Weir's emergence in 1970s Britain, or interpreting creative self-censorship. Music and Letters 100 (3), pp.481-528. (10.1093/ml/gcz002)
- Beard, D. 2019. Reconceptualising the performer in new music theatre: collaborations with actors, mimes and musicians. In: Adlington, R. ed. New Music Theatre in Europe: Transformations Between 1955–1975. Musical Cultures of the Twentieth Century Abingdon and New York: Routledge. , pp.227-254. (10.4324/9780429451669-11)
- Bickerton, D. 2019. By Gosh, By Golly. Daniel Bickerton.
- Bickerton, D. 2019. nighTrain. {undefined}
- Bickerton, D. 2019. Smile. {undefined}
- Boyd, B. E. 2019. Temporal structuring in a portfolio of original compositions. Volume 2 of 2: Academic commentary. PhD Thesis , Cardiff University.
- Chapin, K. 2019. Nid darbwyllo ond llesmeirio: Yr aruchel yn ei gyd-destun Cymreig. O'r Pedwar Gwynt
- Charest, J. P. 2019. The long necked lute’s eternal return: Mythology, morphology, iconography of the Tanbūr Lute family from Ancient Mesopotamia to Ottoman Albania. PhD Thesis , Cardiff University.
- Davis, B. 2019. ‘Performing realism’: A practice-led study of contemporary realism in the staging of opera. PhD Thesis , Cardiff University.
- Hamilton, K. 2019. John Casken: Six Wooded Pieces (on CD Stolen Airs). [CD] 2019
- Hamilton, K. 2019. Kenneth Hamilton plays Ronald Stevenson Volume 2. [CD] 2019-07-12
- Hamilton, K. 2019. Kenneth Hamilton plays Ronald Stevenson, volume 2. 2019-07-12
- Hill, S. 2019. 1968: Mythology matters. Twentieth-Century Music 16 (1), pp.165-168. (10.1017/S147857221900015X)
- Jassey, V. R. 2019. Tambor reverberations: Gender, sexuality and change in Cuban Batá performance. PhD Thesis , Cardiff University.
- Jones, D. 2019. Institutions. In: Clark, C. and Day-O'Connell, S. eds. The Cambridge Haydn Encyclopedia. Cambridge: Cambridge University Press. , pp.167-177.
- Jones, D. 2019. Religious views. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press. , pp.27-33.
- Jones, D. 2019. Vienna. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press. , pp.88-96.
- Jones, N. 2019. Sir Peter Maxwell Davies: the man and the music. [Online].themaxtrust.org: The Peter Maxwell Davies Trust. Available athttps://www.themaxtrust.org/about.html.
- Leech, P. 2019. In dulci jubilo - choral music for Advent and Christmas - Harmonia Sacra. [CD] 2019Available athttps://www.wyastone.co.uk/in-dulci-jubilo-choral-music-for-advent-christmas.html.
- Leech, P. 2019. Jean-Paul Montagnier, The Polyphonic Mass in France, 1600-1780: The Evidence of the Printed Choirbooks. Cambridge: Cambridge University Press, 2017 [Book Review]. H-France 19 , pp.1-5.
- Loten, N. J. 2019. The solo sonatas of George Frideric Handel, with particular reference to the sonatas for flute and recorder.. PhD Thesis , Cardiff University.
- Maher, N. 2019. The crying clarinet: Emotion and music in Parakalamos. PhD Thesis , Cardiff University.
- McReynolds, R. 2019. An exploration of the influence of technology upon the composer’s process. PhD Thesis , Cardiff University.
- Millar, S. et al. 2019. COOL Music: a ‘bottom-up’ music intervention for hard-to-reach young people in Scotland. British Journal of Music Education , pp.1-12. (10.1017/S0265051719000226)
- O'Connell, J. 2019. 'The undiluted squash of UK math rock': the performer's view of ArcTanGent festival. Riffs 3 (2)
- Rae, C. 2019. Catalysing Latin American identities: Alejo Carpentier’s music criticism as a Cuban case study. In: Dingle, C. ed. The Cambridge History of Music Criticism. The Cambridge History of Music Cambridge: Cambridge University Press. , pp.484-501.
- Rae, C. 2019. Chronology of Jolivet’s life and works. In: Rae, C. ed. André Jolivet: Music, Art and Literature. Music and Literature Abingdon: Routledge. , pp.xxii-xxxix.
- Rae, C. 2019. Expressing the incantatory: performing Jolivet's Cinq églogues (1967) for solo viola. Presented at: Public Research Seminar Royal Birmingham Conservatoire 29 October 2019.
- Rae, C. 2019. Introduction: Jolivet in context. In: Rae, C. ed. André Jolivet: Music, Art and Literature. Music and Literature Abingdon: Routledge. , pp.1-12.
- Rae, C. 2019. Jolivet and the visual arts: Interactions and influences. In: Rae, C. ed. André Jolivet: Music, Art and Literature. Music and Literature Abingdon and New York: Routledge. , pp.107-131.
- Rae, C. 2019. Mussorgsky and his French compositional descendants’. London: Signum Classics, SIGCD-566
- Rae, C. 2019. Poulenc at the BBC: composer of the month. BBC Music Magazine Novemb , pp.66-70.
- Rae, C. 2019. Proportioning the divine: Jolivet and the golden section. Presented at: Public Research Seminar University of Aberdeen 24 October 2019.
- Rae, C. 2019. Sourcing Jolivet’s compositional aesthetic: Literary influences and his library. In: Rae, C. ed. André Jolivet: Music, Art and Literature. Music and Literature Abingdon: Routledge. , pp.194-213.
- Rae, C. , Anderson, J. and Potter, C. 2019. The incantatory and the divine: new perspectives on the music of André Jolivet. Presented at: Guildhall School of Music and Drama Research Seminar (ResearchWorks series) Guildhall School of Music and Drama 18 November 2019.
- Rowden, C. 2019. Carmen: Life and death on stage in the 21st century. Cardiff: Welsh National Opera
- Rowden, C. 2019. “Le Tétraque se perdait dans un rêve”: concordance between Flaubert’s Hérodias and Hérodiade by Milliet, Grémont and Massenet. Flaubert: Revue Critique et Génétique 21
- Sierra, A. 2019. Studies in choreography. Cecilian Music.
- Villepastour, A. 2019. The Cuban lexicon Lucumí and African language Yorùbá: musical and historical connections. In: Brunn, S. D. and Kehrein, R. eds. Handbook of the Changing World Language Map. Vol. 4, Dordrecht: Springer. , pp.2575-2602. (10.1007/978-3-030-02438-3_183)
You can search music publications in Cardiff University's institutional repository.