2017 publications
- Niccolai, M. and Rowden, C. eds. 2017. Musical theatre in Europe 1830-1945. Turnhout: Brepols.
- Jones, N. ed. 2017. Peter Maxwell Davies, selected writings. Music since 1900 Cambridge: Cambridge University Press. (10.1017/9781316662519)
- Beard, D. J. and Birtwistle, H. 2017. Deep Time [Composer note]. Boosey & Hawkes
- Beard, D. 2017. Listening to the river's roar: stance, texture and space in the concertos. In: Charlton, D. ed. The Music of Simon Holt. Suffolk: Boydell & Brewer. , pp.194-231. (10.1017/9781787440692.012)
- Bickerton, D. 2017. Mad About ThaT. {undefined}
- Bickerton, D. 2017. The pitch within. {undefined}
- Bickerton, D. 2017. Sea of Stone [Tyne Cot Sketches: II]. Bickerton.
- Bickerton, D. and Allen, P. 2017. Cardiff - Capital city of Wales. Cardiff: Cardiff University. Available athttps://www.youtube.com/watch?v=UqicqIMGGpI.
- Carr, J. , Power, M. and Millar, S. 2017. More than a game: football, politics and popular culture. Brainstorm
- Chapin, K. 2017. The visual traces of a discourse of ineffability: late Eighteenth-Century German published writings on music. In: Eisen, C. and Davison, A. eds. Late Eighteenth-Century Music and Visual Culture. Music and Visual Cultures Turnhout: Brepols. , pp.123-153.
- Čurda, M. 2017. Analytical and hermeneutical perspectives on the music of Pavel Haas. PhD Thesis , Cardiff University.
- Faria Gomes, P. 2017. Evening. Pedro Faria Gomes.
- Fokkens, R. 2017. A darkness insinuating: for chamber orchestra. {undefined}
- Fokkens, R. 2017. Capriccio Variations. {undefined}
- Gentili, B. 2017. Early recordings, audiences and celebrities. In: Rowland, D. and Barlow, H. eds. Listening to Music: People, Practices and Experiences. The Open University
- Hamilton, K. 2017. Franz Liszt defended against his devotees. Keyboard Perspectives 10 , pp.129-153.
- Hamilton, K. 2017. Liszt, Rachmaninov, Busoni: Back to Bach - Tributes and transcriptions. [Audio CD] 2017-05-19
- Hill, S. 2017. Celtic music in Wales. In: Horn, D. , Shepherd, J. and Prato, P. eds. Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe. London: Bloomsbury
- Hill, S. 2017. Explosion of deferred dreams: musical renaissance and social revolution in San Francisco, 1965-1975 [Book Review]. The Sixties 10 (1), pp.113-114. (10.1080/17541328.2017.1310438)
- Hill, S. 2017. A historiography of pop historiography. Presented at: RMA 53rd Annual Conference Liverpool, UK 7-9 September 2017.
- Hill, S. 2017. 'If you can remember the 60s...'. Presented at: Summer of Love Conference: Revisiting the Summer of Love, Rethinking the Counterculture San Francisco, CA, USA 27-29 July 2017.
- Hill, S. 2017. O'r Bae i'r Bala: Dylanwad Haf Hir 1967. O'r Pedwar Gwynt 4
- Hill, S. 2017. Peripheral identities on Desert Island Discs and Beti a'I Phobol. In: Brown, J. , Cook, N. and Cottrell, S. eds. Defining the Discographic Self: Desert Island Discs in Context. Proceedings of the British Academy Oxford: Oxford University Press. , pp.189-212.
- Hill, S. 2017. Teaching popular music and protest from the 1960s. Presented at: Revolution in the Air Université de Rouen, France Mar 2017.
- Hill, S. , O'Connell, J. and Thomas, I. 2017. One weekend in October: The Swn Festival, Cardiff. Presented at: CHIME Conference 2017: Music, Festivals, Heritage Siena , Italy 25-28 May 2017.
- Howell, J. 2017. The memory of music and music of memory: A portfolio of original compositions. PhD Thesis , Cardiff University.
- Jones, D. W. 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. In: Händel-Jahrbuch. Vol. 63, Basel: Bärenreiter Kassel. , pp.73-86.
- Jones, N. 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture Whitchurch, Cardiff, UK 13 June 2017.
- Jones, N. 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert School of Music, Cardiff University, Cardiff 2 December 2017.
- Laghi, S. 2017. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). PhD Thesis , Cardiff University.
- Leech, P. 2017. Lux memoriaque - light and remembrance - Harmonia Sacra. [CD]Vol. 6349 2017Available athttps://www.wyastone.co.uk/lux-memoriaque-contemporary-british-choral-works.html.
- O'Connell, J. M. 2017. Commemorating Gallipoli through music: remembering and forgetting. Lexington Books.
- O'Connell, J. M. 2017. A concert platform: a space for a style in Turkish music. In: Frishkopf, M. and Spinetti, F. eds. Music, Sound, and Architecture in Islam. Austin, TX: University of Texas Press. , pp.59-84.
- O'Connell, J. M. 2017. Usûlsüz: a matter of meter in the concerts of Münir Nurettin Selçuk. Presented at: Rhythmic Cycles and Structures in the Art Music of the Middle East Munster, Germany 27-28 February 2014. Published in: Helvacı, Z. , Olley, J. and Jäger, R. M. eds. Rhythmic Cycles and Structures in the Art Music of the Middle East. Ergon Verlag
- O'Connell, J. 2017. Kâr-ı nev: Elongation and elaboration in recordings of a Turkish classic. In: Harris, R. and Stokes, M. eds. Theory and Practice in the Music of the Islamic World: Essays in Honour of Owen Wright. SOAS Musicology Series Abingdon and New York: Routledge. , pp.125-145. (10.4324/9781315191461-7)
- Palidda, A. 2017. Milan 1790-1802: Music, society and politics in the city of many regimes. PhD Thesis , Cardiff University.
- Rae, C. 2017. Aspects of colour and timbre in Julian Anderson’s Incantesimi: Exploring French connections. Presented at: Julian Anderson Symposium – Julian Anderson Total Immersion Weekend Barbican Centre and Guildhall School of Music and Drama, London 20-21 October 2017.
- Rowden, C. 2017. 'Du grand au petit': Faust on Parisian stages in 1869. In: Niccolai, M. and Rowden, C. eds. Musical Theatre in Europe 1830-1945. Speculum Musicae Turnhout: Brepols
- Rowden, C. 2017. Parodying opera in Paris: Tannhäuser on the popular stage, 1861. In: Kauppala, A. , Broman-Kananen, U. and Hesselager, J. eds. Tracing Operatic and Theatrical Performances in the Long 19th Century: Practices, Performers, Peripheries. DocMus Research Publications Helsinki: Sibelius Academy. , pp.43-82.
- Rowden, C. and Niccolai, M. 2017. Introduction. In: Rowden, C. and Niccolai, M. eds. Musical Theatre in Europe 1830-1945. Brepols
- Sierra, A. 2017. Nature symphony. Cecilian Music.
- Villepastour, A. 2017. Speaking with the body in Nigerian and Cuban Orisha music: musical movements in song, dance and trance.. In: Post, J. C. ed. Ethnomusicology: A Contemporary Reader, Volume II. Vol. 2, Abingdon and New York: Routledge
- Villepastour, A. 2017. Two heads of the same drum? Musical narratives within a transatlantic religion. In: Kenney, E. T. , Salenius, S. and Womack Smith, W. eds. Race and Transatlantic Identities. Routledge. , pp.56-75.
- Villepastour, A. and Bran, L. 2017. Transmisión en la Eritá Meta. Music Works NYC
- Villepastour, A. and Bran, L. 2017. Transmisión en la Eritá Meta: Ilú Keké,. [CD] 2017-07-15
You can search music publications in Cardiff University's institutional repository.