2016 publications
- Barlow, R. L. 2016. Land of my mothers? Clara Novello Davies as 'Mam' and musician. In: Hartmann, M. J. R. and Ross, L. eds. Music and Motherhood. Demeter Press
- Beard, D. J. and Gloag, K. 2016. Musicology: the key concepts. 2nd edition. Routledge.
- Bickerton, D. 2016. #CONNECT. {undefined}
- Bickerton, D. 2016. Even though it's breaking, imagine!.
- Cenciarelli, C. 2016. The limits of operatic deadness. Cambridge Opera Journal 28 (2), pp.221-226. (10.1017/S0954586716000276)
- Chapin, K. 2016. The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music.By Wye Jamison Allanbrook [Book Review]. Music and Letters 97 (1), pp.165-167. (10.1093/ml/gcv111)
- Cox, O. 2016. The interpretation of unusual dynamic markings in Beethoven’s string quartet in Bb Major, Op. 130: a study of selected twentieth-century recordings. PhD Thesis , Cardiff University.
- Faria Gomes, P. 2016. ELA. Pedro Faria Gomes.
- Faria Gomes, P. 2016. Pinguins. Pedro Faria Gomes.
- Fokkens, R. 2016. On quietude and dancing. {undefined}
- Fokkens, R. 2016. Reaching, falling. {undefined}
- Fokkens, R. 2016. Two songs. {undefined}
- Gardner, C. 2016. (Re-)Theorising Schubert's 'Reliquie': precedents, the 'Great' Symphony, and narrative. In: Bryne Bodley, L. and Horton, J. eds. Rethinking Schubert. New York: Oxford University Press. , pp.147-172.
- Hamilton, K. 2016. Kenneth Hamilton plays Ronald Stevenson, Volume 1. 2016
- Hamilton, K. 2016. Mendelssohn: fantasie über "The Last Rose of Summer", op.15. In: Geuting, H. v. M. ed. Felix Mendelssohn Bartholdy. Interpretationen seiner Werke. Laaber Verlag
- Hill, S. 2016. 'An Enticing Experience': Women Listening to Prog. Presented at: Second International Conference of the Progect Network for the Study of Progressive Rock University of Edinburgh May 2016.
- Hill, S. 2016. San Francisco and the long 60s. London: Bloomsbury Academic.
- Hughes, G. O. 2016. A portfolio of acoustic/electroacoustic music compositions & computer algorithms that investigate the development of polymodality, polyharmony, chromaticism & extended timbre in my musical language. PhD Thesis , Cardiff University.
- Jones, D. W. 2016. Music in Vienna: 1700, 1800, 1900. Woodbridge: The Boydell Press.
- Jones, N. and Warnaby, J. 2016. Davies, Peter Maxwell. In: Oxford Music Online. Oxford: Oxford University Press
- Leech, P. 2016. The Cardinal King - Music for Henry Benedict Stuart in Rome, 1740-91. [CD] 2016
- Leech, P. 2016. Prince, priest and patron: Cardinal Henry Benedict Stuart and musical patronage in eighteenth-century Rome. Society for Eighteenth-century Music Newsletter 27 , pp.1, 11-12.
- Leech, P. 2016. Richard Dering, Motets and Anthems, Ed.by Jonathan P. Wainwright. Music Britannica, 98 (Stainer & Bell), London, 2015.[Book Review]. Music and Letters 97 (2), pp.329-332. (10.1093/ml/gcw039)
- Leech, P. and Whitehead, M. 2016. Clamores omnino atque admirationes excitant: New light on music and musicians at St Omers English Jesuit College, 1658-1714. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis LXVI (1), pp.123-148.
- Llewelyn-Jones, I. 2016. Studies in pianistic sonority, nuance and expression: French performance practices in the piano works of Maurice Ravel. PhD Thesis , Cardiff University.
- Millar, S. R. 2016. Irish Republican music and (post)colonial schizophrenia. Popular Music and Society 40 (1), pp.75-88. (10.1080/03007766.2016.1229098)
- Millar, S. R. 2016. Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act. Popular Music 35 (3), pp.297-319. (10.1017/S0261143016000519)
- Millar, S. 2016. Kate Horgan.The Politics of Songs in Eighteen-Century Britain, 1723-1795. Poetry and Song in the Age of Revolution Number 4 [Book Review]. Blake: An Illustrated Quarterly 50 (1)
- O'Connell, J. 2016. 'Practical Dreamers': Red wedge and the British State. Presented at: Music, Political Activism and the State University of Southampton 13 April 2016. , pp.-.
- Palidda, A. 2016. Milan and the music of political transitions in the Napoleonic period: the case of Ambrogio Minoja (1752-1825).. In: Jardin, E. ed. Music and War in Europe from the French Revolution to WWI. Brepols. , pp.105-120.
- Rae, C. 2016. Celebrating the Dutilleux centenary. Presented at: International Dutilleux Symposium Cardiff University, Cardiff, UK 28 January 2016.
- Rae, C. 2016. Henri Dutilleux and the power of enchantment. In: BBC Proms 2016: The Official Guide. BBC Proms Guides London: BBC. , pp.54-57.
- Rae, C. 2016. Innovation and invention in Ohana’s Si le jour paraît for 10-string guitar. Presented at: International Guitar Research Conference (IGRC) University of Surrey 18-23 March 2016.
- Rae, C. 2016. Musical revolutions: The promotion of new music in Machado’s Cuba. Presented at: Music and Nation 1918-1945 – Europe-Americas (II) Royal Northern College of Music, Manchester, UK 23-24 November 2016.
- Rowden, C. 2016. Bizet. By Hugh Macdonald. The Bizet Catalogue. By Hugh Macdonald [Review]. Music and Letters 97 (2), pp.355-356. (10.1093/ml/gcw024)
- Rowden, C. 2016. In the power of Venus, yet in union with Christ: Jules Massenet’s ‘comédie lyrique’ Thaïs’, Salzburger Festspiele programme (Austria) [Programme note]. Salzburger Festspiele programme
- Sierra, A. E. 2016. Ritual in transfigured time. Cecilian Music.
You can search music publications in Cardiff University's institutional repository.