2015 publications
- Beard, D. J. , Gloag, K. and Jones, N. eds. 2015. Harrison Birtwistle studies. Cambridge Composer Studies Cambridge: Cambridge University Press.
- Jones, D. W. ed. 2015. Haydn. The Late Eighteenth-Century Composers Surrey: Ashgate.
- Villepastour, A. ed. 2015. The Yorùbá god of drumming: Transatlantic perspectives on the wood that talks. University Press of Mississippi.
- Ayangbekun, K. and Villepastour, A. 2015. Divining Ayan: an Orisa priest from Ogbomoso speaks. In: Villepastour, A. ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks. University Press of Mississippi. , pp.51-73.
- Barlow, R. L. 2015. The 'Land of Song': gender and identity in Welsh choral music, 1872-1918. PhD Thesis , Cardiff University.
- Beard, D. J. 2015. A selected inventory of Birtwistle manuscripts acquired by the British Library in 2013. In: Harrison Birtwistle Studies. Cambridge Composer Series Cambridge: Cambridge University Press. , pp.304-309.
- Beard, D. 2015. 'The life of my music': What the sketches tell us. In: Beard, D. , Gloag, K. and Jones, N. eds. Harrison Birtwistle Studies. Cambridge Composer Studies Cambridge: Cambridge University Press. , pp.120-174. (10.1017/CBO9781316145326.007)
- Bickerton, D. 2015. Ballad. {undefined}
- Bickerton, D. 2015. Eclipse. {undefined}
- Bickerton, D. 2015. Invictus. {undefined}
- Bickerton, D. 2015. Textbook. {undefined}
- Bickerton, D. 2015. Two mourning angels [Tyne Cot Sketches: I]. {undefined}
- Bickerton, D. 2015. Weather By Funk. {undefined}
- Cenciarelli, C. 2015. 'Warped singing': opera from cinema to YouTube. In: Vincent, D. ed. Verdi on Screen. Lausanne: L'Age d'Homme. , pp.251-267.
- Chapin, K. 2015. Antoine Reicha and the three identities of the learned musician. In: Raymond, L. B. d. , Bartoli, J. and Schneider, H. eds. Antoine Reicha, compositeur et theoricien: Actes du colloque international tenu à Paris du 18 au 20 avril 2013. George Olms Verlag. , pp.109-118.
- Chapin, K. 2015. Sublime néoclassique et sublime rhétorique: La réception musicale des Odes et mélodies spirituelles (1757) de Christian Fürchtegott Gellert. In: Hachie, S. and Favier, T. eds. À la croisée des arts: Sublime et musique religieuse en Europe (XVIIe-XVIIIe siècles). Paris: Classiques Garnier. , pp.165-185.
- Faria Gomes, P. 2015. Canções do Quadrante. Pedro Faria Gomes.
- Fokkens, R. 2015. The Application. {undefined}
- Fokkens, R. 2015. Hoerikwaggo. {undefined}
- Gloag, K. 2015. Birtwistle's eloquently gestural music. In: Beard, D. J. , Gloag, K. and Jones, N. eds. Harrison Birtwistle Studies. Cambridge Composer Studies Cambridge: Cambridge University Press. , pp.95-119.
- Gloag, K. 2015. 'A thing of the past': Canon formation and the postmodern condition. In: Kurkela, V. and Mantere, M. eds. Critical Music Historiography: Probing Canons, Ideologies and Institutions. Aldershot: Ashgate. , pp.227-237.
- Goodall, K. et al., 2015. Community experiences of sectarianism. Project Report.[Online].London: Scottish Government Social ResearchAvailable athttps://www.gov.scot/Resource/0047/00470344.pdf.
- Goodall, K. et al., 2015. Sectarianism in Scotland: A 'West of Scotland' problem, a patchwork or a cobweb?. Scottish Affairs 24 (3), pp.288-307. (10.3366/scot.2015.0079)
- Hamilton, K. 2015. Franz Liszt: Totentanz for Piano and Orchestra. 2015
- Hill, S. 2015. Connecting the dots: pop historiography since one chord wonders. Presented at: 30 Years of One Chord Wonders Sellis Benney Theatre, Brighton, UK 17 Oct 2015.
- Jones, D. W. 2015. Introduction. In: Jones, D. W. ed. Haydn. The Late Eighteenth-Century Composers Surrey: Ashgate. , pp.xi-xxv.
- Jones, D. W. 2015. Mozart's spirit from Seyfried's hands. In: Keefe, S. P. ed. Mozart Studies 2. Cambridge Composer Studies Cambridge: Cambridge University Press. , pp.195-228. (10.1017/CBO9781107360051.009)
- Jones, N. 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series Cardiff University, Cardiff, UK 20 May 2015.
- Jones, N. 2015. The sound of Raasay: Birtwistle's Hebridean experience. In: Beard, D. , Gloag, K. and Jones, N. eds. Harrison Birtwistle Studies. Cambridge Composer Studies Cambridge: Cambridge University Press. , pp.175-205. (10.1017/CBO9781316145326.008)
- Leech, P. 2015. Princely splendour: Cardinal Henry Stuart and music patronage in 18th-century Rome. The Consort 71 , pp.51-73.
- Millar, S. R. 2015. 'I Forbid You To Like It:' The Smiths, David Cameron, and the politics of (mis)appropriating popular culture. Echo: A Music-Centered Journal 13 (1)
- Millar, S. R. 2015. Musically consonant, socially dissonant: orange walks and Catholic interpretation in West-Central Scotland. Music and Politics 9 (1)(10.3998/mp.9460447.0009.102)
- Moore, R. 2015. Coles, Cecil Frederick Gottlie (1888–1918). In: Oxford Dictionary of National Biography. Oxford University Press(10.1093/ref:odnb/76798)
- O'Connell, J. M. 2015. The classical style: modal analysis of vocal improvisation in Turkey. In: Agayeva, S. ed. Space of Maugham. Şerq-Qerb. , pp.124-139.
- O'Connell, J. M. 2015. Gazel. In: Jankowsky, R. C. ed. Bloomsbury Encyclopedia of Popular Music of the World. Vol. 10, Encyclopedia of Popular Music of the World Bloomsbury Academic. , pp.35-37.
- O'Connell, J. M. 2015. Iranian classical music: the discourse and practice of creativity. By Laudan Nooshin [Book Review]. Music and Letters 96 (4), pp.677-679. (10.1093/ml/gcv080)
- O'Connell, J. M. 2015. Modal trails, model trials: Musical migrants and mystical critics in Turkey. In: Davis, R. ed. Musical Exodus: Al-Andalus and its Jewish Diasporas. Europea: Ethnomusicologies and Modernities Lanham, MD: Rowman & Littlefield Publishers. , pp.101-124.
- O'Connell, J. M. 2015. Music and humanism in the Aga Khan Humanities Project. In: Pettan, S. and Titon, J. T. eds. The Oxford Handbook of Applied Ethnomusicology. Oxford Handbooks Oxford University Press. , pp.602-638.
- Ponsford, D. S. 2015. Guillaume-Gabriel Nivers & Nicolas-Antoine Lebegue. [CD]French Organ Music from the Golden Age. Volume 4 2015
- Ponsford, D. S. 2015. Instrumental performance in the seventeenth century. In: Lawson, C. and Stowell, R. eds. The Cambridge History of Musical Performance. Cambridge University Press. , pp.421-447.
- Ross, J. and Ponsford, D. S. 2015. Johann Sebastian Bach Violin Sonatas. [CD] 2015
- Rowden, C. S. 2015. Loie Fuller and Salome: The unveiling of a myth. In: Lee, H. and Segal, N. eds. Opera, Exoticism and Visual Culture. Cultural Interactions: Studies in the Relationship between the Arts Vol. 34.Peter Lang. , pp.93-110.
- Rowden, C. 2015. ‘From the fairground to the heights of French art : Opéra comiqueand Le Pré aux clercs’, 64th Wexford Festival Opera 2015 Season programme [Programme notes]. 64th Wexford Festival Opera 2015 Season programme
- Sierra, A. E. 2015. Birds and insects, Book 2. Cecilian Music.
- Villepastour, A. 2015. Anthropomorphizing Ayan in transatlantic gender narratives. In: Villepastour, A. ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks. University Press of Mississippi. , pp.125-146.
- Villepastour, A. 2015. Introduction: Asoro Igi (Wood That Talks). In: Villepastour, A. ed. The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks. University Press of Mississippi. , pp.3-32.
- Villepastour, A. 2015. "Orin Ibeji": (songs for the twins): sounding the sacred twins of the Yorùbá. In: Harris, R. and Pease, R. eds. Pieces of the Musical World: Sounds and Cultures. Routledge. , pp.169-188.
You can search music publications in Cardiff University's institutional repository.