Ewch i’r prif gynnwys

Yr Athro Neil Badmington

BA (Exeter), MA, PhD (Wales)

Professor

Ysgol Saesneg, Cyfathrebu ac Athroniaeth

Email
badmington@cardiff.ac.uk
Telephone
+44 (0)29 2087 6255
Campuses
2.07, Adeilad John Percival , Rhodfa Colum, Caerdydd, CF10 3EU
Users
Ar gael fel goruchwyliwr ôl-raddedig

Trosolwg

I am Professor of English Literature and have taught at Cardiff University since 1999. I was educated at the University of Exeter, the University of California (Santa Cruz), and Cardiff University.

I am the author of three books (with a fourth under contract), editor of over twenty volumes, and author of many essays. Please click on ‘Publications’ (above) for complete information.

Research interests

  • Contemporary fiction, especially American.
  • Film, particularly the work of Alfred Hitchcock.
  • Poststructuralist critical and cultural theory, with an emphasis upon the work of Roland Barthes.
  • Postmodern culture.

I welcome queries from potential PhD students whose plans overlap with any of my listed interests.

Academic activities

I am co-editor, with Emma Mason, of The Year's Work in Critical and Cultural Theory. This journal is published by Oxford University Press for the English Association.

I am the founding editor of the journal Barthes Studies.

I write regularly for the Times Literary Supplement and I am a member of the editorial/advisory panels of:

I am a member of the Northern Theory School.

I have acted as undergraduate and postgraduate External Examiner at the University of Cambridge, Durham University, the University of Sussex, Lancaster University, the University of Malta, and Middlesex University. In 2008, I was appointed expert étranger for a panel of the Agence d'évaluation de la recherche de l'enseignement supérieur (AERES) assessing the quality of research at University of Paris III-Sorbonne Nouvelle, University of Paris XIII-Villetaneuse, and University of Paris-Dauphine.

PhD supervision

I am supervising or have supervised the following PhD theses:

  • Of Zoogrammatology.
  • Spectral-Scopics: Gazing at Ghosts in Women’s Supernatural Fiction, 1950-Present.
  • Roland Barthes and English-Language Poetry, 1970-1990.
  • Corporeal Ontology: Merleau-Ponty, Flesh and Posthumanism.
  • Ill Seen Ill Said: Trauma, Representation and Subjectivity in Samuel Beckett's Post-war Writing.
  • Deadly Light: Machen, Lovecraft and Evolutionary Theory.
  • Untimely Aesthetics: Shakespeare, Anachronism and Presence (co-supervision with Melanie Bigold).
  • The Literature of Replenishment: The Novels of Umberto Eco and J.M. Coetzee and John Barth's Definition of Postmodernist Fiction.
  • The Posthuman Science Fiction of J.G. Ballard and Kurt Vonnegut.
  • The Animal in Differance: Tracing the Boundaries of the Human in Post-Darwinian Culture.

Bywgraffiad

Biography

I was born and grew up in the small town of Abergavenny in the Welsh borderlands. After attending my  local comprehensive school, I became the first person in my family to attend university when I went to Exeter to study American and Commonwealth Arts (1990-94). A year abroad at the University of California, Santa Cruz, in 1992-93 introduced me for the first time to critical and cultural theory, and I went on to study for an MA and PhD in this field at Cardiff University (1995-98), under the supervision  of Catherine Belsey. On completing my PhD in late 1998, I was appointed to the department.

Education and qualifications

1995-98: PhD, Cardiff University. (British Academy Studentship.) Supervisor: Catherine Belsey.

1994-95: MA in Critical and Cultural Theory, Cardiff University. (British Academy Studentship.)

1992-93: University of  California, Santa Cruz. (Junior Year Abroad scheme.)

1990-94: BA in  American and Commonwealth Arts, University of Exeter. Class I. Winner, Exeter  Literary Society Prize, 1994. Winner, David Henderson Award, 1994.

1982-89: King Henry VIII Comprehensive School, Abergavenny.

Safleoedd academaidd blaenorol

2009-15: Reader in English Literature, Cardiff University
2005-9: Senior Lecturer in English Literature, Cardiff University
2001-5: Lecturer (B) in English Literature, Cardiff University
1999-2001: Lecturer (A) in English Literature, Cardiff University

Ymrwymiadau siarad cyhoeddus

Since 1994, I have given 40 papers at:

  • University of Oxford
  • University of Chicago
  • University of Paris X
  • University of Paris VII
  • University of Cambridge
  • Concordia University
  • Ghent University
  • University of Strasbourg
  • University of Malta
  • University of Birmingham
  • Kingston University
  • Queen Mary, University of London
  • Manchester University
  • York St. John University
  • Lancaster University
  • Cardiff University
  • University of Leeds
  • University of Kent
  • Birkbeck, University of London
  • King's College, London
  • University of Exeter
  • Warwick University
  • Newport and Gwent Literary Club
  • Rugby School

Cyhoeddiadau

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

  • Badmington, N. 2009. Blade Runner's blade runners. Semiotica 173, pp. 471-489. (10.1515/SEMI.2009.022)
  • Badmington, N. 2009. Babelation. In: Callus, I. and Herbrechter, S. eds. Cy-Borges: Memories of the Posthuman in the Work of Jorge Luis Borges. Lewisburg: Bucknell University Press, pp. 60-72.
  • Badmington, N. 2009. L'encroyable Roland Barthes. In: Badir, S. and Ducard, D. eds. Roland Barthes en cours (1977-1980): Un style de vie. Dijon: Editions Universitaires de Dijon, pp. 145-52.
  • Badmington, N. 2009. Introduction. In: Lavers, A. ed. Roland Barthes: Mythologies. London: Vintage, pp. ix-xiv.

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1995

Addysgu

I will be on research leave, and therefore not teaching, during the 2017-18 academic year.

I am currently working on the following research projects:

  • A book entitled Rope: Alfred Hitchcock and the Art of Elsewhere. This will be completed in the summer of 2018 and is under contract to appear in the 'New Horizons of Cinema' series published by SUNY Press.
  • The editing, with Emma Mason, of volume 26 (2018) of The Year’s Work in Critical and Cultural Theory.
  • The editing of volumes 3 (2017) and 4 (2018) of Barthes Studies.
  • An essay entitled 'An Undefined Something Else: Barthes, Culture, Neutral Life'. This will appear in a special issue of Theory, Culture & Society on the subject of 'Neutral Life' (edited by Sunil Manghani).

Recently completed research projects include:

  • The Afterlives of Roland Barthes -- a monograph on the posthumous publications of Roland Barthes. This was published by Bloomsbury in October 2016. A paperback edition will be published in April 2018.
  • An edited collection entitled Deliberations: The Journals of Roland Barthes. This was published as a special issue of Textual Practice in early 2016 and subsequently reprinted in book form as Deliberations: The Journals of Roland Barthes (Routledge, 2017).
  • The launch of Barthes Studies, an online, open-access journal for scholarship in English on the writings of Roland Barthes. Volume 1 was published on 12 November 2015 (the day on which Barthes would have been 100 years of age), and volume 2 (guest-edited by Calum Gardner) followed in November 2016.
  • The editing, with Emma Mason, of volume 25 (2017) of The Year's Work in Critical and Cultural Theory.

For a list of my research interests, please click on ‘Overview’ (above).

Goruchwyliaeth

I welcome applications or informal queries relating to PhD supervision in research areas which overlap with my own:

  • Contemporary fiction, especially American.
  • Film, particularly the work of Alfred Hitchcock.
  • Poststructuralist critical and cultural theory, with an emphasis upon the work of Roland Barthes.
  • Postmodern culture.

I am supervising or have supervised the following PhD theses:

  • Of Zoogrammatology.
  • Spectral-Scopics: Gazing at Ghosts in Women’s Supernatural Fiction, 1950-Present.
  • Roland Barthes and English-Language Poetry, 1970-1990.
  • Corporeal Ontology: Merleau-Ponty, Flesh and Posthumanism.
  • Ill Seen Ill Said: Trauma, Representation and Subjectivity in Samuel Beckett's Post-war Writing.
  • Deadly Light: Machen, Lovecraft and Evolutionary Theory.
  • Untimely Aesthetics: Shakespeare, Anachronism and Presence (co-supervision with Dr Melanie Bigold).
  • The Literature of Replenishment: The Novels of Umberto Eco and J.M. Coetzee and John Barth's Definition of Postmodernist Fiction.
  • The Posthuman Science Fiction of J.G. Ballard and Kurt Vonnegut.
  • The Animal in Differance: Tracing the Boundaries of the Human in Post-Darwinian Culture.

I welcome applications or informal queries relating to PhD supervision in research areas which overlap with my own:

  • Contemporary fiction, especially American.
  • Film, particularly the work of Alfred Hitchcock.
  • Poststructuralist critical and cultural theory, with an emphasis upon the work of Roland Barthes.
  • Postmodern culture.

I am supervising or have supervised the following PhD theses:

  • Of Zoogrammatology.
  • Spectral-Scopics: Gazing at Ghosts in Women’s Supernatural Fiction, 1950-Present.
  • Roland Barthes and English-Language Poetry, 1970-1990.
  • Corporeal Ontology: Merleau-Ponty, Flesh and Posthumanism.
  • Ill Seen Ill Said: Trauma, Representation and Subjectivity in Samuel Beckett's Post-war Writing.
  • Deadly Light: Machen, Lovecraft and Evolutionary Theory.
  • Untimely Aesthetics: Shakespeare, Anachronism and Presence (co-supervision with Dr Melanie Bigold).
  • The Literature of Replenishment: The Novels of Umberto Eco and J.M. Coetzee and John Barth's Definition of Postmodernist Fiction.
  • The Posthuman Science Fiction of J.G. Ballard and Kurt Vonnegut.
  • The Animal in Differance: Tracing the Boundaries of the Human in Post-Darwinian Culture.