Dr Galina Miazhevich

2021

• Brock, M. and Miazhevich, G. 2021. From high camp to post-modern camp: queering post-soviet pop music. European Journal of Cultural Studies (10.1177/13675494211021413)
• Miazhevich, G. 2021. An innocent provocation or homoerotic challenge? Mediations of the 'Satisfaction' video parody in the Russian mediascape. Information, Communication and Society 24(8), pp. 1123-1139. (10.1080/1369118X.2020.1764607)

2020

• Miazhevich, G. 2020. Dis/engagement in post-soviet communicative ecologies: re-framing the ‘Chinatown’ dissent campaign in Belarus. In: Karatzogianni, A., Schandorf, M. and Ferra, I. eds. Media Technologies and Protest Revolutions: The Long Durée. Bingley: Emerald
• Karatzogianni, A., Miazhevich, G. and Denisova, A. 2020. A comparative cyberconflict analysis of digital activism across post-soviet countries. In: Karatzogianni, A., Schandorf, M. and Ferra, I. eds. Media Technologies and Protest Revolutions: The Long Durée. [A Comparative Cyberconflict Analysis of Digital Activism across Post-Soviet Countries]. Bingley, UK: Emerald, pp. 61-82.

2019

• Lehtisaari, K. and Miazhevich, G. 2019. Introduction: the Russian media system at a crossroads. Russian Journal of Communication 11(1), pp. 1-5. (10.1080/19409419.2019.1567378)
• Miazhevich, G. 2019. Negotiating non-heteronormative identities in post-Soviet Belarus and Lithuania. In: Mole, R. C. M. ed. Soviet and Post-Soviet Sexualities. Routledge Contemporary Russia and Eastern Europe Series London and New York: Routledge, pp. 192-209.
• Miazhevich, G. 2019. Mediated resistance in post-Soviet communicative ecologies: the case of 'Chinese industrial park' in Belarus. Russian Journal of Communication 11(2), pp. 109-125. (10.1080/19409419.2019.1621192)

2018

• Bolin, G. and Miazhevich, G. 2018. The soft power of commercialised nationalist symbols: Using media analysis to understand nation branding campaigns. European Journal of Cultural Studies 21(5), pp. 527-542., article number: 136754941775115. (10.1177/1367549417751153)
• Miazhevich, G. 2018. Nation branding in the post-broadcast era: The case of RT. European Journal of Cultural Studies 21(5), pp. 575-593. (10.1177/1367549417751228)

2017

• Miazhevich, G. 2017. The dilemmas of social media-enabled civic activism: The case of sexual minorities in Lithuania. In: Surowiec, P. and Stetka, V. eds. Social Media and Politics in Central and Eastern Europe. BASEES/Routledge Series on Russian and East European Studies London and New York: Routledge, pp. 182-197.
• Miazhevich, G. 2017. The dilemmas of social media-enabled civic activism The case of sexual minorities in Lithuania. In: Sorowiec, P. and Stetka, V. eds. Social Media and Politics in Central and Eastern Europe. BASEES/Routledge Series on Russian and East European Studies London and New York: Routledge, pp. 182-197.
• Karatzogianni, A., Miazhevich, G. and Denisova, A. 2017. A comparative cyberconflict analysis of digital activism across post-Soviet countries. Comparative Sociology 16(1), pp. 102-126. (10.1163/15691330-12341415)
• Miazhevich, G. 2017. Paradoxes of new media: digital discourses on Eurovision 2014, media flows and post-Soviet nation-building. New Media and Society 19(2), pp. 199-216. (10.1177/1461444815591968)

2016

• Miazhevich, G. 2016. International broadcasting and the conflict-related national media events: The framing of EuroMaidan by the BBC and RT. In: Mitu, B. and Poulakidakos, S. eds. Media Events: A Critical Contemporary Approach. Basingstoke: Palgrave Macmillan, pp. 53-70.

2015

• Miazhevich, G. 2015. Sites of subversion: online political satire in two post-Soviet states. Media, Culture and Society 37(3), pp. 422-439. (10.1177/0163443714567015)

2014

• Miazhevich, G. 2014. Russia Today's coverage of Euromaidan. Russian Journal of Communication 6(2), pp. 186-191. (10.1080/19409419.2014.908692)

2012

• Miazhevich, G. 2012. Ukrainian nation branding off-line and online: Verka Serduchka at the Eurovision Song Contest. Europe-Asia Studies 64(8), pp. 1505-1523. (10.1080/09668136.2012.712274)

2010

• Miazhevich, G. 2010. Moderating the extreme: The role of Vladimir Pozner’s Vremena in Russian state television responses to the rise of xenophobia. Television & New Media 12(1), pp. 23-45. (10.1177/1527476410365704)