Professor Claire Gorrara
Head of School and Professor of French Studies
- +44 (0)29 2087 4955
- 2.30, 66a Park Place
My works covers three main areas: narratives and memories of the Second World War in France, post-war French crime fiction and French photography and visual cultures. These areas are connected by my interest in under-represented or marginalised voices in French culture and the ways in which they mediate processes of social and cultural change. In relation to the Second World War, I have worked extensively on the autobiographies, prose fiction and memoirs of French women writers. I have published articles and a monograph on post-war French crime fiction and film. In 2012, I published a monograph study of French crime fiction and memories of the Second World War, examining the role of popular culture as a privileged vector of memory. I am currently researching visual cultures of war. I am working more specifically on two projects: photography and representations of the Liberation of Europe 1944-5 and trans-generational memories of the Holocaust in the francophone graphic novel.
Honours and awards
2015: Cardiff University, Celebrating Excellence Awards: Outstanding Contribution to Leadership
2012: Elected Fellow of the Learned Society of Wales
2011: Elected Fellow of the Royal Historical Society
2011: Visiting Fellow, Centre for the Study of Cultural Memory, Institute of Germanic and Romance Studies, School of Advanced Studies, University of London
2015-17: Welsh Government: £173,000: Raising the Profile of Modern Foreign Languages: A Mentoring Initiative
2008: Cardiff Humaniites Research Institute (CHRI): £1,680: Cardiff Distinguished Visiting Fellow scheme: to fund the visit of Dr Maurizio Ascari (Bologna University) as part of the Crime Narratives in Context Research Network activities
2007: Association for the Study of Modern and Contemporary France: £350.00 Conference support: ‘The Lost Decade: the 1950s in European History, Society, Economy and Culture’, Cardiff University, 11-13 July 2007
2007: British Academy small grant fund: £2,292. Research support for the project: ‘Reconstructing France: Popular Culture, Crime Fictions and National Identity, 1946-58’
2002: Cassell Foundation funding: £700 and Association for the Study of Modern and Contemporary France funding: £200 Conference support: ‘Cultural Intersections: Noir Fiction and Film in France and Italy’ conference at the Institute of Romance Studies, London
2001-2: Leverhulme Research Fellowship: £15,646
2015-present: Executive Committee member of the Association of University Professors and Heads of French
2014- present: Academic Director of Routes into Language Cymru, pan-Wales advocacy group for modern languages
2011-2014: University Council for Modern Languages representative for Wales
2007-2014: Peer Review College member of the AHRC
I have given over 60 conference and research papers to date, including twenty invited addresses. Of particular note are the following key notes and invitations:
2015: French and Francophone Studies conference, Baton Rouge, Louisiana, US
2012: University of Paris 3, Sorbonne Nouvelle
2010: Toepfer Foundation, Hamburg
2005: Southwark Playhouse, London
2003: Berlin-Brandenburg Institute, Berlin
2014-6: Head of the School of Modern Languages
2012-14: Acting Head, then Head of the School of European Languages, Translation and Politics
2008-12: Director of Research, School of European Languages, Translation and Politics
2008-2014: Joint Convenor of Crime Narratives in Context, a Cardiff University interdisciplinary research network
1994: DPhil (French Studies): Oxford University
1991: Masters in European Literature (Distinction): Oxford University
1989: Joint Honours degree in French and English (First Class): Leeds University
1994- present: Lecturer, Senior Lecturer, Reader, Professor of French Studies: Cardiff University, School of Modern Languages.
Current Teaching (2015-16)
Final Year French Dissertation: subject: legacies of the Second World War in French Culture
Final Year Annotated French Translation: subject: resistance narratives of the Second World War
MA European Studies: Dissertation: topic: photography and the liberation of France and Naples during the Second World War.
Graduate College: workshop on developing a research trajectory for academic interviews and post-PhD career progression.
I have co-supervised 6 PhDs to completion and one MPhil on the following topics:
- 'Myths and Oppression of Gendered and Racialised Subjects in the Prose Fiction of Rosario Castellanos' (passed May 2003)
- 'Representations of Travel and Memory in 1960s and 1970s French- and German-Language Literature' (passed April 2004), AHRC funded studentship
- 'Comparative Perspective on the Poetic Course of Arthur Rimbaud, William Blake and Sohrab Sepehri' (passed 2006)
- 'Constructions of the Algerian War Appelés in French Cultural Memory' (passed April 2012) AHRC funded studentship
- 'Cultural Representations of Italians in Wales (1920s-2010s)' (passed April 2012)
- Sapphic spectres: Interwar German women’s fiction’ (MPhil, passed April 2014)
- 'A Study of Scanlation and Japanese Manga' (passed March 2015)
I am curently co-supervising 4 PhDs in the following research areas:
1. Memory, translation and the Holocaust in French texts
2. British women in occupied France
3. Francophone graphic novels, translation and adaptation
4. BBC radio and a history of adaptation
I would welcome applications from those wishing to work on questions of cultural memory, war and modern France, literary and visual narratives of conflict, both within France and in a broader European frame, and French crime fiction and film.
External Examiner for doctoral awards at the following institutions:
University of Kent (2010), University of Leeds (2010), Birkbeck, University of London (2011), Université de la Bretagne Occidentale (2011), University of Auckland (2014).
My current research centres on cultural memories of the Second World War. I am currently working on two interrelated projects:
Photography and the Liberation of France: This project explores photographic representations of the liberation of France and the cultural narratives of liberation that these images have come to embody. This project has centred thus far on the work of the British Army Film and Photography Unit and the liberation of Normandy, analysing the cultural narratives of occupied France that such photographs represented for a British reading public when published in popular magazines in the summer of 1944. The second phase of this project will explore photographic representations of 'les tondues', women who had their heads shaved following the liberation of their towns/region in 1944-5.
Graphic Fiction and Generational Memories of the Second World War: This project explores the graphic fiction of second and third generation French authors who make use of the graphic novel to examine their personal, familial and collective affiliations with memories and events of the Second World War, above all the Holocaust. This project focuses on the ways in which the graphic format allows for a set of transgenerational connections and 'post-memories' that open up new vistas on the past from the perspective of the present.
Wider Contribution to the Academic Community
Co-series editor of two series with University of Wales Press: French and Francophone Studies with H. Diamond (Cardiff University) and European Crime Fiction with G. Pieri (Royal Holloway, University of London) and S. Godsland (Birmingham University).
2007: Editorial board member of Synergies Royaume Uni et Irlande, an interdisciplinary journal allied to GERFLINT, Groupe d’Etudes et de Recherches pour le Français Langue Internationale.
Referee for the following journals: French Studies, Romance Studies, Modern and Contemporary France, Modern Language Review, Journal of Law and Society, Feminist Review, Témoigner, History, Lublin Journal of Modern Languages, Forum for Modern Language Studies
Reader and reviewer for the following publishers: Oxford University Press, Routledge, University of Wales Press, University of Manchester Press, Berghahn Books.