![Charlotte Hammond](https://profiles-cardiff.imgix.net/attachments/2696?w=200&h=200&auto=format&crop=faces&fit=crop&q=90")
Dr Charlotte Hammond
(hi/ei)
Darlithydd mewn Astudiaethau Ffrangeg
- HammondC6@caerdydd.ac.uk
- +44 29225 10103
- 66a Plas y Parc, Ystafell 0.08, Cathays, Caerdydd, CF10 3AS
- Ar gael fel goruchwyliwr ôl-raddedig
Trosolwyg
Mae fy ymchwil gyfredol yn archwilio'r diwydiant tecstilau trawswladol a diwylliannau dillad ail-law yn Haiti a'r Weriniaeth Ddominicaidd, gan ganolbwyntio ar undod gweithwyr a gwrthsefyll creadigol. Ar hyn o bryd rwy'n ysgrifennu fy ail fonograff o'r enw Material Mawonaj: Diwylliannau Dillad Ail-law a Symudedd Creadigol yn y Caribî. Mae'r llyfr hwn yn ymchwilio diwydiannau tecstilau byd-eang a chrefftau dillad ail-law yn rhanbarth y Caribî ac yn herio eu cynnal o ddimensiynau pŵer lluosog a rhyngblethol, gan gynnwys anghydraddoldebau hiliol, rhywedd ac amgylcheddol.
Yn fwy cyffredinol, mae fy niddordebau ymchwil yn canolbwyntio ar astudiaethau Francophone Caribïaidd, astudiaethau diwylliannol Caribïaidd a decoloniality. Mae gen i ddiddordeb arbennig yn hanes a chymynroddion gwladychiaeth a chaethwasiaeth yn y Caribî a sut mae eu hôl-fywyd yn cael eu harchwilio a'u hailddychmygu trwy ystod eang o ddiwylliant gweledol a materol, gan gynnwys ffilm, celf, perfformiad, tecstilau a gwisg.
Rwyf wedi ymrwymo i wneud gwaith ymgysylltu â'r cyhoedd a chyda Choleg Menai a Rhwydwaith Teithiau Treftadaeth Ddu wedi cydweithio ar brosiect treftadaeth greadigol sy'n archwilio hanes lleol cynhyrchu gwlân yng Nghymru a'u cysylltiadau â hanesion byd-eang caethwasiaeth yr Iwerydd, masnach ac ymerodraeth. Mae'r gwaith hwn wedi arwain at gyhoeddi Woven Histories of Welsh Wool and Slavery, ebook dwyieithog am ddim, a gyhoeddwyd yn 2023 gyda Common Threads Press.
Cyhoeddwyd fy llyfr cyntaf Entangled Otherness: Cross-gender Fabrications in the Francophone Caribbean gyda Liverpool University Press yn 2018. Cyrhaeddodd restr fer Gwobr Llyfr R. Gapper am y llyfr gorau mewn Astudiaethau Ffrangeg a gyhoeddwyd yn 2018.
Mae gen i hefyd gyhoeddiadau yn y Journal of Haitian Studies, Women and Performance, Fashion Theory , TEXTILE, Contemporary French Civilization a'r Journal of Material Culture.
Cyhoeddiad
2023
- Hammond, C. 2023. Straw Craft, imperial education and ethnographic exhibitions as tightly braided sites of gender production in Haiti and Curaçao. Journal of Material Culture 28(4), pp. 515-538. (10.1177/13591835231210689)
- Hammond, C. 2023. Re/assembling the imaginary: Counter-narratives of Haiti’s transnational textile industry. Textile (10.1080/14759756.2023.2242118)
- Hammond, C. ed. 2023. Woven histories of Welsh wool and slavery. Common Threads Press.
2021
- Hammond, C. and McGregor, A. 2021. O is for Orientalism: the dynamics of the sexual tourist gaze in Laurent Cantet’s Vers le sud/Heading South (2005). Contemporary French Civilization 46, pp. 27-47. (10.3828/cfc.2021.2)
2020
- Hammond, C. 2020. Stitching time: artisanal collaboration and slow fashion in post-disaster Haiti. Fashion Theory 24(1), pp. 33-57. (10.1080/1362704X.2018.1441001)
- Hammond, C. 2020. “The question was whether to die of hunger or coronavirus”: garment factories reopen in Haiti despite fears. [Online]. haitisupportgroup.org: Available at: https://haitisupportgroup.org/garment-factories-reopen-haiti-covid19/
2019
- Hammond, C. 2019. Le mariage burlesque: Carnival cross-dressing in the French Caribbean. The Conversation 2019(Mar 5)
2018
- Hammond, C. 2018. Entangled otherness: cross-gender fabrications in the Francophone Caribbean. Contemporary French and Francophone Cultures. Liverpool: Liverpool University Press.
2017
- Hammond, C. 2017. Footnotes to the Ghetto Biennale 2017 / Nòt sou pye a Geto Byenal. In: Gordon, L. ed. Ghetto Biennale / Geto Byenal 2009-2015. Port-au-Prince: Central Books, pp. 84-100.
- Hammond, C. 2017. A cross-dressed Kanaval. Women and Performance 27(2)
2016
- Hammond, C. 2016. Decoding Dress: Vodou, Cloth and Colonial Resistance in Pre- and Postrevolutionary Haiti. In: Joseph, C. L. et al. eds. Vodou in the Haitian Experience: A Black Atlantic Perspective. Lexington Books
2012
- Hammond, C. 2012. "Children" of the gods: Filming the private rituals of Haitian vodou. Journal of Haitian Studies 18(2), pp. 64-82.
Articles
- Hammond, C. 2023. Straw Craft, imperial education and ethnographic exhibitions as tightly braided sites of gender production in Haiti and Curaçao. Journal of Material Culture 28(4), pp. 515-538. (10.1177/13591835231210689)
- Hammond, C. 2023. Re/assembling the imaginary: Counter-narratives of Haiti’s transnational textile industry. Textile (10.1080/14759756.2023.2242118)
- Hammond, C. and McGregor, A. 2021. O is for Orientalism: the dynamics of the sexual tourist gaze in Laurent Cantet’s Vers le sud/Heading South (2005). Contemporary French Civilization 46, pp. 27-47. (10.3828/cfc.2021.2)
- Hammond, C. 2020. Stitching time: artisanal collaboration and slow fashion in post-disaster Haiti. Fashion Theory 24(1), pp. 33-57. (10.1080/1362704X.2018.1441001)
- Hammond, C. 2019. Le mariage burlesque: Carnival cross-dressing in the French Caribbean. The Conversation 2019(Mar 5)
- Hammond, C. 2017. A cross-dressed Kanaval. Women and Performance 27(2)
- Hammond, C. 2012. "Children" of the gods: Filming the private rituals of Haitian vodou. Journal of Haitian Studies 18(2), pp. 64-82.
Book sections
- Hammond, C. 2017. Footnotes to the Ghetto Biennale 2017 / Nòt sou pye a Geto Byenal. In: Gordon, L. ed. Ghetto Biennale / Geto Byenal 2009-2015. Port-au-Prince: Central Books, pp. 84-100.
- Hammond, C. 2016. Decoding Dress: Vodou, Cloth and Colonial Resistance in Pre- and Postrevolutionary Haiti. In: Joseph, C. L. et al. eds. Vodou in the Haitian Experience: A Black Atlantic Perspective. Lexington Books
Books
- Hammond, C. ed. 2023. Woven histories of Welsh wool and slavery. Common Threads Press.
- Hammond, C. 2018. Entangled otherness: cross-gender fabrications in the Francophone Caribbean. Contemporary French and Francophone Cultures. Liverpool: Liverpool University Press.
Websites
- Hammond, C. 2020. “The question was whether to die of hunger or coronavirus”: garment factories reopen in Haiti despite fears. [Online]. haitisupportgroup.org: Available at: https://haitisupportgroup.org/garment-factories-reopen-haiti-covid19/
- Hammond, C. 2023. Re/assembling the imaginary: Counter-narratives of Haiti’s transnational textile industry. Textile (10.1080/14759756.2023.2242118)
Ymchwil
My current research project, entitled 'Caribbean Threads: Creole Networks of Cloth and Consumption', funded by the Leverhulme Trust, examines the design, trade and consumption of textiles and cloth in contemporary Francophone Creole cultures. It is a study of how women textile traders and artisans resist and reconfigure global markets through their local economic and design practices. The project explores how women entrepreneurs mediate political and cultural identity in relation to their Caribbean neighbours and the enduring economic and cultural dominance of France and the U.S. in the region. For updates on this project please visit the accompanying blog.
My interdisciplinary doctoral research, fully funded by the AHRC, examined expressions of cross-dressing and gender performativity in contemporary Francophone Caribbean visual and performative cultures, focusing on the islands of Martinique, Guadeloupe and Haiti and their diasporic communities in metropolitan France. My blog has more information on this research project.
My monograph based on this doctoral research, entitled Imaging the Invisibles: the Fabrication of Gender in the Francophone Caribbean, will be published with Liverpool University Press in 2018.
Addysgu
- ML6200 Imaging the Islands: Francophone Caribbean Cultures
- ML6386 Advanced Translation Practice / ML6396 French for Professional Purposes
- ML6299 Advanced French Language + version
- ML1104 Contemporary French Language
- ML1298 Innovations in European Literature
- ML6199 Modern France
- MA Translation Dissertation supervision
Bywgraffiad
Ymunais ag Ysgol Ieithoedd Modern Caerdydd yn 2014 ar ôl cwblhau fy PhD yn yr adrannau Drama a Ffrangeg yn Royal Holloway, Prifysgol Llundain. Yn ystod fy PhD treuliais flwyddyn yn cynnal ymchwil ac addysgu yn l'Université des Antilles et de la Guyane yn Martinique. Tra yn y Caribî roeddwn yn artist a oedd yn cymryd rhan yn y Ghetto Biennale 2011, a gynhaliwyd yn Port-au-Prince, Haiti. Mae gen i MA mewn Dylunio Theatr ac yn 2013 bu'n gweithio fel darlithydd gwadd yn y Royal Central School of Speech and Drama yn dysgu Theatr Ôl-drefedigaethol. Cyn fy astudiaethau doethurol, rwyf wedi gweithio ym meysydd dylunio gwisgoedd a golygu fideo.
Pwyllgorau ac adolygu
Ysgrifennydd y Grŵp Cymorth Haiti
Yr adolygydd, Palgrave Macmillan, Gwasg Prifysgol Caeredin.
Meysydd goruchwyliaeth
Rwy'n croesawu ceisiadau gan fyfyrwyr PhD sydd â diddordeb ym meysydd:
- Llenyddiaeth, ffilm a chelf Francophone Caribïaidd.
- Caethwasiaeth a'i chymynroddion
- Tecstilau a gwisg
- Mathau modern o gaethwasiaeth mewn cadwyni cyflenwi dilledyn
Ar hyn o bryd rwy'n goruchwylio prosiect MPhil/PhD Madeleine Phillip ar 'Rôl Kréol wrth Ffurfio Hunaniaethau Cyfunol yn Réunion.'
