Dr Carlo Cenciarelli
(e/fe)
BA (Soton) MMus (KCL) PhD (KCL)
Darlithydd a Chyfarwyddwr Astudiaethau Israddedig
- Ar gael fel goruchwyliwr ôl-raddedig
Trosolwyg
Rwy'n arbenigo ar sain a'r ddelwedd symudol, ac mae gen i ddiddordeb arbennig yn y ffyrdd y mae sinema—thorughout ei hanes, ond yn enwedig ers y 1960au—wedi gweithredu fel 'rhyngwyneb diwylliannol' ar gyfer repertoires cerddorol a thechnolegau sain.
Rwyf wedi ysgrifennu ar ôl-fywyd cerddoriaeth glasurol a phoblogaidd ar y cyfryngau ac ar gynrychiolaeth ac adferiad gwrando mewn ffilm, gyda thraethodau wedi'u cyhoeddi mewn casgliadau wedi'u golygu ac mewn cyfnodolion gan gynnwys Cerddoriaeth yr ugeinfed ganrif, Cambridge Opera Journal, Music and Letters, Radical Musicology, Journal of the Royal Musical Association, a New Formations. Yr wyf yn olygydd The Llawlyfr Gwrando Sinematig Rhydychen (OUP, 2021).
Cyn ymuno â Chaerdydd, roeddwn yn Gymrawd Ôl-ddoethurol yr Academi Brydeinig yn Royal Holloway, Prifysgol Llundain. Mae gen i PhD mewn Cerddoleg o King's College Llundain.
Cyhoeddiad
2023
- Cenciarelli, C. 2023. 'Hello darkness, my old friend': The company of music in a cinema of (shared) loneliness. New Formations 2023(109), pp. 29-46. (10.3898/NEWF:109.03.2023)
2021
- Cenciarelli, C. 2021. The possibilities of cinematic listening - an introduction. In: Cenciarelli, C. ed. The Oxford Handbook of Cinematic Listening. Oxford University Press, pp. 1-26., (10.1093/oxfordhb/9780190853617.013.1)
- Cenciarelli, C. 2021. iPod listening as an I-voice: solitary listeners and imagined interlocutors across cinema and personal stereos. In: Cenciarelli, C. ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks Oxford: Oxford University Press, pp. 669-689., (10.1093/oxfordhb/9780190853617.013.35)
- Cenciarelli, C. ed. 2021. The Oxford handbook of cinematic listening. Oxford Handbooks. Oxford: Oxford University Press.
2018
- Cenciarelli, C. 2018. The sense of an ending: music, time and romance in Before Sunrise. In: Bayman, L. and Pinazza, N. eds. Journeys on Screen: Theory, Ethics and Aesthetics. Edinburgh: Edinburgh University Press, pp. 167-182.
2016
- Cenciarelli, C. 2016. The limits of operatic deadness. Cambridge Opera Journal 28(2), pp. 221-226. (10.1017/S0954586716000276)
2015
- Cenciarelli, C. 2015. 'Warped singing': opera from cinema to YouTube. In: Vincent, D. ed. Verdi on Screen. Lausanne: L'Age d'Homme, pp. 251-267.
2014
- Cenciarelli, C. 2014. Lucrezia in 3D: il fallimento di critica, gli scollamenti formali e le epistemologie web della prima opera in tridimensione. Presented at: Convegno internazionale di studi: Donizetti in scena. Vedere l’opera, Bergamo, 12-14 October 2012 Presented at Fornoni, F. ed.Donizetti in scena : attualità det testo-spettacolo : atti del Convegno internazionale, Bergamo, 12-14 ottobre 2012. Bergamo: Fondazione Donizetti
2013
- Cenciarelli, C. 2013. At the margins of the televisual: picture frames, loops and ‘cinematics’ in the paratexts of opera videos. Cambridge Opera Journal 25(2), pp. 203-223. (10.1017/S0954586713000074)
- Cenciarelli, C. 2013. "What Never Was Has Ended": Bach, Bergman and the Beatles in Christopher Münch’s 'The Hours and Times'. Music and Letters 94(1), pp. 119-137. (10.1093/ml/gct038)
2012
- Cenciarelli, C. 2012. Dr Lecter’s taste for 'Goldberg', or: the horror of Bach in the Hannibal franchise. Journal of the Royal Musical Association 137(1), pp. 107-134. (10.1080/02690403.2012.669929)
2011
- Cenciarelli, C. 2011. Bach and cigarettes: imagining the everyday in Jarmusch’s Int. Trailer. Night.. Twentieth-Century Music 7(2), pp. 219-243. (10.1017/S147857221100017X)
2009
- Cenciarelli, C. 2009. Off key: when film and music won't work together. By Kay Dickinson [Book Review]. Music and Letters 90(2), pp. 320-322. (10.1093/ml/gcn123)
2006
- Cenciarelli, C. 2006. The case against Nyman revisited: “affirmative” and “critical” evidence in Michael Nyman’s appropriation of Mozart. Radical Musicology 2006(1), pp. 84 pars.
Articles
- Cenciarelli, C. 2023. 'Hello darkness, my old friend': The company of music in a cinema of (shared) loneliness. New Formations 2023(109), pp. 29-46. (10.3898/NEWF:109.03.2023)
- Cenciarelli, C. 2016. The limits of operatic deadness. Cambridge Opera Journal 28(2), pp. 221-226. (10.1017/S0954586716000276)
- Cenciarelli, C. 2013. At the margins of the televisual: picture frames, loops and ‘cinematics’ in the paratexts of opera videos. Cambridge Opera Journal 25(2), pp. 203-223. (10.1017/S0954586713000074)
- Cenciarelli, C. 2013. "What Never Was Has Ended": Bach, Bergman and the Beatles in Christopher Münch’s 'The Hours and Times'. Music and Letters 94(1), pp. 119-137. (10.1093/ml/gct038)
- Cenciarelli, C. 2012. Dr Lecter’s taste for 'Goldberg', or: the horror of Bach in the Hannibal franchise. Journal of the Royal Musical Association 137(1), pp. 107-134. (10.1080/02690403.2012.669929)
- Cenciarelli, C. 2011. Bach and cigarettes: imagining the everyday in Jarmusch’s Int. Trailer. Night.. Twentieth-Century Music 7(2), pp. 219-243. (10.1017/S147857221100017X)
- Cenciarelli, C. 2009. Off key: when film and music won't work together. By Kay Dickinson [Book Review]. Music and Letters 90(2), pp. 320-322. (10.1093/ml/gcn123)
- Cenciarelli, C. 2006. The case against Nyman revisited: “affirmative” and “critical” evidence in Michael Nyman’s appropriation of Mozart. Radical Musicology 2006(1), pp. 84 pars.
Book sections
- Cenciarelli, C. 2021. The possibilities of cinematic listening - an introduction. In: Cenciarelli, C. ed. The Oxford Handbook of Cinematic Listening. Oxford University Press, pp. 1-26., (10.1093/oxfordhb/9780190853617.013.1)
- Cenciarelli, C. 2021. iPod listening as an I-voice: solitary listeners and imagined interlocutors across cinema and personal stereos. In: Cenciarelli, C. ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks Oxford: Oxford University Press, pp. 669-689., (10.1093/oxfordhb/9780190853617.013.35)
- Cenciarelli, C. 2018. The sense of an ending: music, time and romance in Before Sunrise. In: Bayman, L. and Pinazza, N. eds. Journeys on Screen: Theory, Ethics and Aesthetics. Edinburgh: Edinburgh University Press, pp. 167-182.
- Cenciarelli, C. 2015. 'Warped singing': opera from cinema to YouTube. In: Vincent, D. ed. Verdi on Screen. Lausanne: L'Age d'Homme, pp. 251-267.
Books
- Cenciarelli, C. ed. 2021. The Oxford handbook of cinematic listening. Oxford Handbooks. Oxford: Oxford University Press.
Conferences
- Cenciarelli, C. 2014. Lucrezia in 3D: il fallimento di critica, gli scollamenti formali e le epistemologie web della prima opera in tridimensione. Presented at: Convegno internazionale di studi: Donizetti in scena. Vedere l’opera, Bergamo, 12-14 October 2012 Presented at Fornoni, F. ed.Donizetti in scena : attualità det testo-spettacolo : atti del Convegno internazionale, Bergamo, 12-14 ottobre 2012. Bergamo: Fondazione Donizetti
Ymchwil
Mae fy ymchwil yn eistedd ar groesffordd cerddoleg, theori ffilm, astudiaethau sain ac astudiaethau'r cyfryngau, ac mae'n troi o gwmpas y gwahanol ffyrdd y mae'r sinema (fel lle, technoleg, a chorff o destunau) wedi llunio ac yn parhau i lunio swyddogaethau ac ystyron cerddoriaeth mewn diwylliant cyfoes.
Rwyf wedi cyhoeddi gwaith ar osodiad sinematig cerddoriaeth J.S. Bach (yn enwedig yr Goldberg Variations), sain sinema indie (yn enwedig Jarmusch, Munch, a Linklater), lle opera mewn diwylliant digidol (o DVDs opera i berfformiadau amatur YouTube), a chynrychiolaeth sinematig ac adfer technolegau chwarae. Gellir dod o hyd i'm gwaith mewn casgliadau wedi'u golygu ac mewn cyfnodolion gan gynnwys Journal of the Royal Musical AssociationCerddoriaeth yr ugeinfed ganrif, Cambridge Opera Journal, Radical Musicology, Music and Letters , a New Formations. Rwy'n olygydd The Oxford Handbook of Cinematic Listening (OUP, 2021).
Ar hyn o bryd rwy'n gweithio ar fonograff sy'n archwilio 'sinematicity' stereos personol, gan ddefnyddio'r sinema fel man amlwg i archwilio hanes diwylliannol a ffenomenoleg gwrando symudol.
Addysgu
On the UG programme I run a film music course (‘Reading Film Sound’, MU2179 and MU2181) that aims to give students historical and theoretical frameworks for interpreting the role of sound in film.
At MA level I teach a module titled ‘Studying Musical Multimedia’ (MUT201), which tackles a wide range of phenomena from fiction film to documentaries, music video, virtual bands, opera broadcasts, TV commercials, and video games. I also run the PG forum, a weekly meeting with Masters and PhD students where we discuss the practical and intellectual challenges of doing research in Music (for more information, see our blog at http://blogs.cardiff.ac.uk/musicresearch/category/100-objects/)
I have supervised UG and MA students on various issues in the history and theory of musical multimedia, and on a wider range of topics including musical borrowing, intertextuality, minimalism and the history of recordings.
I welcome applications from potential PhD students on film music and on topics concerning sound, media and technology more broadly.
Bywgraffiad
Addysg a Chymwysterau
2011: PhD, Coleg y Brenin Llundain
2005: MMus, King's College Llundain
2003: BMus, Prifysgol Southampton
Anrhydeddau a dyfarniadau
Gwobr Westrup, a ddyfarnwyd am erthyglau o ragoriaeth arbennig a gyhoeddwyd yn Music and Letters, 2014
Premio Giuseppe Verdi, Istituto Nazionale di Studi Verdiani, Parma, Yr Eidal, 2010
Aelodaethau proffesiynol
Cymrawd yr Academi Addysg Uwch
Safleoedd academaidd blaenorol
Cymrawd Ôl-ddoethurol yr Academi Brydeinig, Royal Holloway, Prifysgol Llundain
Darlithydd Gwadd ym Mhrifysgol Manceinion, Prifysgol y Ddinas, Coleg y Brenin Llundain, Oxford Brookes, a Phrifysgol Surrey.
Pwyllgorau ac adolygu
Cadeirydd, Bwrdd Astudiaethau Israddedigion (2020-presennol)
Cadeirydd, Byrddau Arholiadau a Blwyddyn (2020-presennol)
Cyfarwyddwr Astudiaethau Israddedig (2020-presennol)
Cyfarwyddwr Derbyniadau Israddedigion (2016-2018)
Cynullydd Cyfres Darlithoedd John Bird (2015-2020)
Meysydd goruchwyliaeth
Ar hyn o bryd rwy'n goruchwylio myfyrwyr PhD ar gerddoriaeth ar y rhyngrwyd, ar ddull Lydian yn sinema Hollywood, ac ar oblygiadau rhyw tro synhwyraidd sinema. Rwy'n croesawu ceisiadau ar gyfer pynciau sy'n ymwneud â sain ffilm ac i gerddoriaeth, y cyfryngau, a thechnoleg yn ehangach.
Goruchwyliaeth gyfredol
Themâu ymchwil
Arbenigeddau
- Cerddoriaeth ffilm
- Astudiaethau sinema
- Theori a dadansoddiad clyweledol
- Astudiaethau Sain
- Hanes Gwrando