This innovative edited collection, derived from a conference held at the Welsh School of Architecture, charts the rise, fall and possible futures of the word primitive.
The word primitive is fundamental to the discipline of architecture in the west, providing a convenient starting point for the myth of architecture's origins. Since the almost legendary 1970s conference on the Primitive, with the advent of post-modernism and, in particular, post-colonialism, the word has fallen from favor in many disciplines. Despite this, architects continue to use the word to mythologize and reify the practice of simplicity.
Primitive includes contributions from some of today's leading architectural commentators including Dalibor Vesely, Adrian Forty, David Leatherbarrow, Richard Weston and Richard Coyne. Structured around five sections, Negotiating Origins; Urban Myths; Questioning Colonial Constructs; Making Marks; and Primitive Futures, the essays highlight the problematic nature of ideas of the primitive, engage with contemporary debate in the field of post colonialism and respond to a burgeoning interest in the non-expert architecture.
This now controversial subject remains, for better or worse, intrinsic to the very structure of Modernism and deeply embedded in architectural theory. Considering a broad range of approaches, this book provides a rounded past, present and future of the word primitive in the architectural sphere.
The book's contents are as follows:
Jo Odgers, Flora Samuel and Adam Sharr
Part 1: Original matters
1 Primitive: the word and concept
Part 2: Negotiating origins
2 The primitive as modern problem: invention and crisis
3 Origins redefined: a tale of pigs and primitive huts
4 The primitive hut: fantasies of survival in an all-white world
5 Gottfried Semper's primitive hut: duration, construction and self-creation
6 Mineral matters: formation and transformation